新编入党培训实用教材（2016版） 下载 pdf 电子版 epub 免费 txt 2025

　　从党的历史看，党组织的发展也有过挫折，但总的来说，是随着革命、建设和改革的实践发展而发展，随着时代的前进而前进。而党的大门，则始终向着中国工人、农民、军人、知识分子和其他社会阶层的先进分子敞开。

中国共产党党员永远是劳动人民的普通一员，必须用马克思列宁主义、*思想、中国特色社会主义理论体系和*总书记系列重要讲话精神武装头脑，指导行动，全心全意为人民服务，不谋求任何私利和特权，不惜牺牲个人的一切，为实现共产主义奋斗终身。这是共产党员的先进性之所在。

中国共产党党员要带领人民群众贯彻执行党的基本路线和各项方针政策，参加改革开放和社会主义现代化建设，为国家的经济发展和社会进步艰苦奋斗，在生产、工作、学习和社会生活中发挥先锋模范作用。我们现在的努力是朝着终实现共产主义的纲领前进的。没有远大理想，不是合格的共产党员；离开现实工作而空谈远大理想，也不是合格的共产党员。

前言

章  中国共产党的光辉历程

  要论摘编

    一、中国共产党的诞生

    二、没有共产党就没有新中国

    三、领导人民进行社会主义革命和探索

    四、开创和领导中国特色社会主义

  延伸阅读  民族复兴中国梦

  思考题

第二章  中国共产党的性质和根本宗旨 

  要论摘编

    一、党是中国工人阶级的先锋队，同时是中国人民和中华民族的先锋队

    二、党是中国特色社会主义事业的领导核心

    三、党代表中国先进生产力的发展要求，代表中国先进文化的前进方向，代表中国广大人民的根本利益，

    四、党的根本宗旨是全心全意为人民服务

  延伸阅读  为人民服务

  思考题

第三章  中国共产党的基本理论、基本路线、基本纲领和基本经验

  要论摘编

    一、党以马克思列宁主义、思想、邓小平理论、“三个代表”重要思想和科学发展观作为行动指南

    二、科学发展观是中国特色社会主义理论体系成果

    三、党在社会主义初级阶段的基本路线，

    四、党的纲领和在社会主义初级阶段的基本纲领，

    五、党在社会主义初级阶段必须坚持的基本经验

  延伸阅读“三个没有变”——观察国情的出发点和落脚点

  思考题

第四章  中国共产党的组织和纪律

  要论摘编

    一、党的组织系统——中央组织、地方组织和基层组织

    二、党的组织制度——民主集中制

    三、党的纪律和纪律处分

  延伸阅读全国个农村党支部和河北省个县委创始人——弓仲韬

  思考题

第五章  全面提高党的建设科学化水平

  要论摘编

    一、全面提高党的建设科学化水平的重大意义

    二、把党的执政能力建设、先进性和纯洁性建设作为主线

    三、继续完善党的思想、组织、作风、反腐倡廉和制度建设“五位一体”大布局

    四、建设学习型、服务型、创新型的马克思主义执政党

    五、全面提高党的建设科学化水平的着力点

  延伸阅读  党代会代表提案制  党内民主揭开新篇章

  思考题

第六章  中国共产党党员的条件、义务和权利

  要论摘编

    一、申请入党的条件

    二、党员的基本条件

    三、党员的义务

    四、党员的权利

    五、忠实履行党员义务，充分行使党员权利

  延伸阅读我党位女党员——缪伯英

  思考题

第七章  加入中国共产党的程序和手续

  要论摘编

    一、自愿向党组织提出申请

    二、入党积极分子的确定、教育和考察

    三、发展对象的确定和培训

    四、预备党员的转正

  延伸阅读发展党员工作程序图

  思考题

第八章  以实际行动争取早日入党

  要论摘编

    一、切实端正入党动机

    二、用中国特色社会主义理论体系武装头脑

    三、为推动科学发展、促进社会和谐多做贡献

    四、自觉接受党组织的培养、教育和考察

    五、积极参与学习型组织建设、争做学习型人党积极分子

    六、积极参与创先争优、争当优秀入党积极分子

  延伸阅读梅兰芳两递入党申请书

  思考题

附录一  中国共产党章程

    （中国共产党第十八次全国代表大会部分修改，2012年11月14日通过）

附录二  入党常用文书及参考例文

    入党申请书

    思想汇报

    自传

    入党志愿书

    转正申请书

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书籍介绍

《新编入党培训实用教材(2013图文版)(根据十八大党章及相关文件精神编写)》主要内容包括：中国共产党的光辉历程；中国共产党的性质和根本宗旨；中国共产党的基本理论、基本路线、基本纲领和基本经验；中国共产党的组织和纪律；全面提高党的建设科学化水平等。

• 作者：. 发布时间：2009-05-02 16:52:51

  我居然买了一本，这点很O血，大囧

• 作者：謝拉 发布时间：2008-06-24 05:01:56

  新一無比帥氣的“不行！”

• 作者：阿蛮. 发布时间：2009-03-20 18:55:47

  快到4月1了.

• 作者：镜中 发布时间：2019-11-18 23:13:16

  有点「冲击-回应」范式的感觉。东方文化对于希腊作为一个「政治小宇宙」的冲击，使得希腊的非政治模式由政治的转为宗教的，正是这一转变导致希腊精神的解体。解体之后「城邦留下的真空最终被东方宗教运动填充」。这些填充压抑着灵知主义的冲动，如伊壁鸠鲁的精神治疗、阿里斯提珀的心理学研究。而在政治上则是廊下派影响后的罗马作为世界城邦的概念。这一精神上的封闭和政治上的扩张彻底颠覆了希腊传统，反倒符合了基督教在精神与世俗中的诉求。基督教最终实现对于社会的全面覆盖，而奥古斯丁的统一理论影响遮蔽了imperia的世俗历史。沃格林所做的正是一种历史的反溯，虽关注「解体」，但真正所求的其实是「构成」的真相

• 作者：Drieux 发布时间：2015-05-02 10:59:05

  西北望，射天狼，说的是弧矢星官。。。

• 作者：YAYA 发布时间：2021-10-20 13:53:42

  标题、摩根说、智慧格言画蛇添足，翻译风格是成功学口吻。具体内容还好，人格塑造的方方面面也总是核心的那些

• Heroes and Vagrants--subjectivity in Ernest Hemingway’s the Sun Also Rises

  作者：DorothyKills 发布时间：2014-02-10 22:10:18

  Heroes and Vagrants

  --subjectivity in Ernest Hemingway’s the Sun Also Rises

    ‘You are all a lost generation.’ It’s almost unverifiable under what circumstances Gertrude Stein said these words to Hemingway. But these words ended up on the inside of the front cover of the latter’s 1926 novel, which along with F. Scott Fitzgerald’s contemporary works sculpted the perception of post first world war generation. These works, though later prestigiously recognized and had bestowed upon both art history and social studies, actually came into being through such a rebellious fashion. That Gertrude must have said the pungent comment in a less than indifferent tone, as if the decadency is self-explanatory.

  And the writer chose to depict his defense in an almost paralleled way. He vitally molded the character of Jake Barnes and framed the story within Jake’s angle of vision. And Jake’s narration was arranged in a deliberate manner, that throughout he’s attempt to camouflage the story to be an impersonal one, his indifference and decadency itself had become the element through which the disillusion was made possible for the reader, to peep beneath sea level and get a glimpse of ‘the iceberg’.

    The mannerism of writing ‘rationally’ traces back to Hemingway’s early experience in journalism. He omits meticulous writing of emotions, avoiding any attempt of luring a reader into pure empathy and the addressing of historical background were considered to be excessive. It was mentioned, but muted. In Hemingway’s own words the abyss of ignorance ‘strengthens the story’ , and that wound deep enough to become the common life tolls with silence. But in this book the rationality of the narrator should be read separately from the rationality the author subscribes to, though they do share a common faith in the strength of such a technique. Hemingway designates Jake Barnes to narrate in a tone that while objective enough for the reader to grasp characters and their stories, still leaves the story-teller’s subjectivity legible. And it is through such an arrangement that unyielding voices from ‘the lost generation’ conveys.

  1 Lady Brett Ashley, ‘everybody’s sick’

    The protagonists in the Sun Also Rises are vagrants and therefore heroes and heroine. Despite the differences of their gender, race or personality a shared trauma shapes their lives as the predominant factor. ‘That bloody war’. Those who endeavored to pinpoint the character’s complex, diagnosing Brett Ashley with ‘a personality disorder’ , may have forgotten the unrealistic nature of the text. Readers are staring through the goggle that is Jake Barnes and therefore literal interpretations should be considered unreliable. ‘Brett was damned good-looking.’ Lady Ashley seems to never fail in capturing the heart of her male companions. But the key to such success is solely based on her choice of only reacting to those who is falling for her, while distancing herself from her true love, Jake Barnes. ‘What’s the matter? You sick? Everybody’s sick. I’m sick, too.’ ‘It makes one feel rather good deciding not to be a bitch.’

  Brett and Jake are extreme contraries in a sense while Jake’s disability prisons him from any possibility of romance, Brett the social beauty seems to be receiving all the chivalry the world has to offer. However, their love equates them. Brett lives under the destiny that she shall never be together with the one she truly loves, that there is no happy ending in this life for her, and the pain of such cruel truth may only be mitigated by alcohol and hedonism. Such desperation replicates Jake’s. On the other hand Jake has to tell the story of his loved one’s betrayal in a tone that grief and self-pity was hard to be traced, and such a coolness comes form an understanding that War the Witch curses and no matter disabled (Jake) or very able (Brett), generation are doomed to the same decadent fate, though in various forms.

  2 Robert Cohn, ‘don’t be silly’

    Incapability appears in both the inadequate man, and also the very adequate. Jake started his story with a recollection of Robert Cohn’s early life. The Jewish man is blessed with a fortunate family, the talent of writing and physical ability competent to be a boxing champion, or to beat up rivals in love within one swing of fist. Yet his vulnerability lies within his shyness, the racial discrimination against him, an inferiority complex that was manipulated by Frances, and very much like Jake, a desperate passion for Brett. Jake relate very much to the passiveness that the two of them shares, while disdaining Robert’s impulses of emotions that lead to traveling, fighting for Brett, or overall, taking a control over his own life. ‘Don’t be silly’, repeats Jake when turning down Robert’s many spontaneous invitations. He (Jake) speaks with contempt when speaks of him (Robert), yet he cannot help but speak of him. Jake has surrendered to act silent and numb toward his own feelings and hurts, while the telling of Robert Cohn’s story alludes to and rekindles them. They are rivals in romance, however, since the inevitable failure shadows both of them, hostility was replaced by sarcasm. Jake does not have to speak ill of Robert. He shows absolute unconcern when he fails and exits the story. The intrusion of the ‘silly’ and rigid was over and Jake maintained his apathetic manner of endurance.

  3 Jake Barnes, ‘all a lost generation’

    The Sun Also Rises is the story of Robert Cohn, Brett Ashley or even Romero but after all it is the story of Jake Barnes. He is the damaged, the disenchanted youth, the cynic amongst all self-chosen exiles and has given up to feel belong. Yet his heroism lies in this very vagrant act of life. As the victim he comprehends the poison of war years, and his tolerance evolves to become such an indifference that is his wisdom of bearing with life. War keeps haunting him. It haunts him on the verge of physical attachment, as he observes Brett’s playfulness leading her nowhere and neither he nor she is able to ‘do any thing about it’. The fiesta can be read as an allegory about the war. Jake tells about the meaningless violence, how riots are thrilled and promising at first and how it ended up being long and deathful. And during the chaos he observes. He looks at his love once again draws away from him, himself who does not intend to strike out is defeated, and the ones who challenge fate, Robert Cohn, the matadors, rises and fails to prove the era’s tragedy. A tragedy that is concentrated into his eyes and sight of seeing. He ends up being alone as this does not surprise him. He ends up missing Paris but does not determine to go back, and he has been through such nostalgia like this. What happens is that he does not fight. Over or not the war is he does not fight any more. And as the pages turn over this will always be his story.

    One’s subjectivity is one’s heroism. Jake is the one writing the story down and the implication screams to the audience louder than any fictitious character can. Jake Barnes, a veteran deprived of dreams chooses to tell us his love story. He looks at his vagrant life without any evasion, and asks for no empathy. He starts and ends the storytelling with another episode of ‘Jake and Brett in the taxi’, and such episodes repeat and he knows the routine and the ending. They would feel close and they would talk. They would imagine impossible happiness drunk and in the dark, being taken somewhere, and only to be alienated. They would know how momentary yet still tries to enjoy. And the sun also rises. Days continue with the dark night that tolerate them to share each other’s companion for just a minute, and the dark memories that linger and haunt them in their sleep. And the sun also rises.

• “雪落下又会融化”

  作者：leon 发布时间：2014-12-11 22:40:44

  《烦恼的冬天》是一部很不错的小说。在上个冬天读完后，发现小说写的和小说的名字还是有些不同。小说写的不只冬天，给人留下深刻印象的反而是夏天。以至于在去年冬天读的时候，时常觉得有点热。

  这部《月亮下去了》就不同了。“月亮下去了”，意思该是太阳要升起来了。小说写作的年代是在1941年，那时候战争还没结束，作者在小说的结尾虽然暗示着侵略者必将失败，却还是流露着黯淡的心绪。甚至让人觉得吟诵《苏格拉底的申辩》的市长，有斯坦贝克自比的成分。这里或许能窥见点作者的世界观：死亡，是人所不能摆脱的；人类的未来一定是光明的。

  但凡为文学遗产着迷的心灵，必定是虔诚的。作者在书里，不止一次地谈起课堂，谈起那些埋藏在心的文学作品。这种追忆，作者该是想说困境只可能是暂时的。

  这就像寒冷的冬天，雪会落下来，又会融化。

  小说是现实主义的，撇开前言后记，很难发现它的年代、地点，然而读着它，却有着一种看见废墟中的花朵的感觉。这种神奇的效果，只能说明作者写的技艺的高超，已远远超出了某种单一流派的局限，想用哪种文学的主义去套在作者身上，只能是徒劳的。

  这是一部充满理想的光辉的作品，它包含了作者对现实的洞察，对人类前途的信心。