Gothic and Lolita 下载 pdf 电子版 epub 免费 txt 2025

"Gothic & Lolita" charts the current trend of Gothic street fashion that has swept Japan over the last decade. Influenced by Western fashion trends from the mid 1980s, young teenagers, predominately adolescent girls, congregate in the urban centres of Harajuku, Akihabara and a number of underground clubs in and around Tokyo, dressed head-to-toe in gothic costumes and late-Victorian dress. The psychological characteristics of the average Japanese Goth is one of introversion and exclusivity. The majority of girls in the scene are teenagers and most usually stop by the age of eighteen. The origin of the movement was in Osaka in the mid 1990s when young teenagers adopted Gothic fashion in response to the clothes worn and promoted by Japanese Gothic rock bands. In the ten years since the trend began it has expanded to a number of cities including Tokyo and now boasts many thousands of devotees who dedicate their lives to creating ever more flamboyant and bizarre variations on the Gothic theme. From handmade black lace dresses based on designs from the 1860s to 'Lolita' outfits, lacy Gothic designs that have a pre-pubescent 'rococo' edge to them, to dresses with an occult flavour, the Gothic and Lolita scene is one of the more bizarre hybrids within Japanese street fashion. "Gothic & Lolita" is specially commissioned by Phaidon Press. Based on the creative design of the best selling "Fruits and Fresh Fruits", it will feature portraits and group portraits of Japanese Goths and Lolitas both at home and in the urban centres of Tokyo and Osaka. In addition to the visual content of the book each subject will also be asked a number of questions about their handmade designs and why the fashion is so important to them. This text will run in a similar 'question and answer' format as in the original Fruits publications. The coupling of portraits and insightful first-person commentary will together make "Gothic & Lolita" the definitive book on the scene in both the West and in Japan, presenting an ideal opportunity to view one of the more surreal aspects of Japanese popular youth culture in an informative yet entertaining manner.

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Masayuki Yoshinaga is one of the leading fashion and reportage photographers of his generation, his images have appeared in such magazines as Dazed & Confused and The Face. His work was recently shown in the Barbican Art Centre's Jam exhibition and at the Dazed & Confused Gallery in London. He lives in, and continues to investigate, the subcultures of Tokyo.

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书籍介绍

"Gothic & Lolita" charts the current trend of Gothic street fashion that has swept Japan over the last decade. Influenced by Western fashion trends from the mid 1980s, young teenagers, predominately adolescent girls, congregate in the urban centres of Harajuku, Akihabara and a number of underground clubs in and around Tokyo, dressed head-to-toe in gothic costumes and late-Victorian dress. The psychological characteristics of the average Japanese Goth is one of introversion and exclusivity. The majority of girls in the scene are teenagers and most usually stop by the age of eighteen. The origin of the movement was in Osaka in the mid 1990s when young teenagers adopted Gothic fashion in response to the clothes worn and promoted by Japanese Gothic rock bands. In the ten years since the trend began it has expanded to a number of cities including Tokyo and now boasts many thousands of devotees who dedicate their lives to creating ever more flamboyant and bizarre variations on the Gothic theme. From handmade black lace dresses based on designs from the 1860s to 'Lolita' outfits, lacy Gothic designs that have a pre-pubescent 'rococo' edge to them, to dresses with an occult flavour, the Gothic and Lolita scene is one of the more bizarre hybrids within Japanese street fashion. "Gothic & Lolita" is specially commissioned by Phaidon Press. Based on the creative design of the best selling "Fruits and Fresh Fruits", it will feature portraits and group portraits of Japanese Goths and Lolitas both at home and in the urban centres of Tokyo and Osaka. In addition to the visual content of the book each subject will also be asked a number of questions about their handmade designs and why the fashion is so important to them. This text will run in a similar 'question and answer' format as in the original Fruits publications. The coupling of portraits and insightful first-person commentary will together make "Gothic & Lolita" the definitive book on the scene in both the West and in Japan, presenting an ideal opportunity to view one of the more surreal aspects of Japanese popular youth culture in an informative yet entertaining manner.

• 作者：蘭女 发布时间：2009-04-25 13:09:05

  my next research article

• 作者：jasonbai 发布时间：2011-12-17 09:19:38

  大概在3年前看过一遍，当时没看懂，现在醍醐灌顶，有时候成长还是需要时间和耐心的

• 作者：好柿连连 发布时间：2009-08-19 00:34:48

  实在是……(扶额

• 作者：JIDE 发布时间：2010-08-31 14:52:53

  街拍爲主，也有在gosuloli家裏面拍的

• 作者：tomiya 发布时间：2009-10-12 22:22:30

  站在书展上看完的=_,=

• 作者：查姆查姆S 发布时间：2011-01-21 18:45:30

  瞎狗眼集大成作。但是不得不说衣服还是很美的...

• 旧梦不须记

  作者：苍耳 发布时间：2014-03-02 00:55:03

  好久没看电视，偶尔看一眼，就会冒出困惑我许久的问题：难道现在的电视剧导演向日本AV取经，男主角务必用丑的才能让广大男观众有带入感？

  最近出来的新剧是《大丈夫》。王志文！大学时我们讨论过忘年恋这个话题：“假如世界上只剩一个年轻女子和一个老头儿，该选谁呢？”我说：“我宁可去同性恋。”舍友看了我一眼，用坚定的语气道：“我选择自杀。”

  话说回来，李小冉也不年轻，但话又说回来，再不年轻，跟王志文配也不搭。导演们难道不知道当一部电视剧涉嫌这种惊悚恋情时最好的美化手段是什么吗？答案是：演员。

  《一帘幽梦》这两版，新版我觉得方中信还好，但女主很糟糕。老版我只看过前几集，演员平均水平胜过新版。虽然大家对两位女主议论颇多，但忘年恋中的男主费云帆至今仍获得压倒性的好评。即使我这种明明知道琼瑶阿姨美化功力的人，也不得不承认从观感上看，费云帆这种大叔质量挺高。多金洒脱有情调，思考回路很正常。我就算不花痴他，也不会讨厌他。陈德容的紫菱则很有几分俏皮，这种妹子搁到现实里追求者成排，怎么可能像电视里一样被姐姐的光环遮蔽。

  前天没事看了小说原作，十分诧异。如果说电视剧在取景和生动性上超过小说的话，小说在合理性上远超过电视剧（特别是紫菱，要有头脑得多）。电视剧为了增加戏剧性导致了不少问题。首要的一点是，小说中造成绿萍悲剧的罪魁祸首是车祸，其余要归咎于三位年轻人的幼稚，无法过度谴责。电视剧就不是那么回事儿了。

  以小说而论，绿萍、紫菱姐妹和楚濂的关系类似男女对调版的《棒球英豪》：姐姐十项全能被父母交口称赞，妹妹遮蔽在姐姐的光环下不被注意。她一厢情愿认为同样优秀的青梅竹马一定和姐姐相爱，殊不知对方喜欢的是自己……这种类似达也的复杂心理，让紫菱不失时机地撮合姐姐和楚濂之间的关系。而楚濂的苦衷和小南差不多，他从始至终爱的就是紫菱，却老是被她推向绿萍。一来二去，除了他，所有人都以为他爱的是姐姐而不是妹妹。这种三角局面其实可以理解。青春少年，谁能成熟地处理感情？区别是，安达充把和也写死了，琼瑶把绿萍写出车祸了。

  和也一死，相当于被直接抹消，只是影子还在。对主角而言，虽然沉痛，还有克服心理阴影进而成长的过度时间。绿萍一残，选择就突然摆在缺乏准备的主角面前。类似情况搁到TOUCH里，结局还是达也小南配么？我很怀疑。

  但电视剧里陈德容的紫菱常常为楚濂自怨自艾，抱怨他不多注意自己。楚濂也确实爱着绿萍。就是这种改动导致他俩被观众喷——紫菱成了蠢蠢欲动觊觎姐姐男友的绿茶婊，楚濂成了见异思迁移情别恋的渣男。如此对比，优点不往费云帆身上汇聚都难。

  小说中，当楚濂对紫菱坦白感情后，两人继续隐瞒不报的不成熟做法，为的是不伤害绿萍。当他们决定宣布这一事实时，恰逢绿萍遭遇车祸截肢。这一突发事件封死了两人的嘴。楚濂在痛苦中决定娶深爱自己的绿萍，紫菱为了姐姐斩断情丝投向费云帆。这种让爱的行为注定了楚濂和绿萍的婚姻悲剧，但当事人的做法也不是不可理解。只能说他们为自己难以负担的道德要求付出了沉重代价。相对的电视剧就狗血了。

  而小说中的紫菱除了运气好到爆以外，其实比她姐姐犀利得多。这种犀利不在学业上，在于对人生的认识。表面上她不考大学无所追求，在姐姐面前很自卑，但这种自卑却让她保持了一定的清醒。反过来，天之骄子的绿萍顺风顺水，却在爱情问题上做出了过于自以为是的判断，想当然地认为楚濂一定深爱自己：“我了解他，我相信他。这就够了。”

  听到这句话，紫菱发现姐姐和母亲一样：“那样一厢情愿的恋情呀！那样深刻的自信呀！“骄傲”与“自负”是我们汪家的传家之宝！“——的确是恰如其分的评价。反观紫菱，在费云帆为她用了一大堆心思，又是欧洲游，又是古典别墅之后，她看似很投入，却在费云帆对她表白时说：

  “在这月光下，在这废墟中，在这种醉人的气氛里，我真有些相信你是爱我的了。”我说。

  “那么，你一直不认为我爱你？”他问。

  “不认为。”我坦白的说。

  “那么，我为什么娶你？”

  “为了新奇吧！”

  “新奇？”

  “我纯洁，我干净，我年轻，这是你说的，我想，我和你所交往的那些女人不同。”

  一瞬间，我有看亦舒的错觉。一般女孩，没城府的如郭海藻，高傲的如绿萍，在一个男人用尽心思为她奉上梦幻生活时，很难有不迷醉、不深信对方被自己魅力所折服的。而紫菱，看起来似乎充满浪漫气息，只会做梦也乐得陶醉在梦中的女孩，却保持着清醒。

  绿萍车祸后，费云帆为了安慰紫菱一直弹吉他，把手都弹破了。当时紫菱表示惊讶，并未作出评价。等到两人结婚去欧洲享受一番后，她再次看到费云帆弹吉他时：

  我仰望著他的脸，微笑的说：“你已经娶到了我，不必再对我用苦肉计了。”

  这是个不可小觑的女人。终于明白费云帆为什么要找她了。 紫菱在某些方面非常精明且现实。比较之下绿萍无疑是学霸，却未免太自信太天真。当紫菱问她既然喜欢楚濂，为何不明白拒绝另一个追求者时，绿萍说：

  “无论怎样深厚的爱情，往往都需要一点儿刺激，陶剑波追求我，正好触动楚濂的醋意，你难道没有注意到，最近就因为陶剑波的介入，楚濂来我们家就特别勤快了？这只是女孩子在爱情上玩的小手段而已。”

  唉，你那点小手段简直是雕虫小技。你老妹才是真聪明。说紫菱不考大学好吃懒做？那是因为她身为富二代有那个条件。最次也是嫁人后在家当富贵闲人一个。说她稀里糊涂就嫁给比她大十几岁、阅历丰富的费云帆？同学们，没看到费云帆多有钱么？不光有钱，还肯用心花时间，人又有情趣。就算将来有变，这婚姻也绝不是赔本买卖。君不见紫菱会对着楚濂吃无聊的闲醋，却从不过问费云帆之前的感情史。她完全懂得自己到底想要什么，能获得什么。即便后来面对老情人的恳求一度动摇，但很快在费云帆的攻势下恢复了理智。当书中提到费云帆带着紫菱游览欧洲风景时，紫菱的感叹是“如梦似幻”。而当她看到罗马废墟时：

  我喃喃的说： “不见他起高楼，不见他宴宾客，却见他楼塌了！”

  ……听到我的话，他也喃喃的念了几句：

  “可怜他起高楼，可怜他宴宾客，可怜他楼塌了！”

  我回过头去，和他深深的对看了一眼……在这一刹那间，我觉得我们之间那样了解。

  紫菱说她和父亲心有灵犀一点不假。这桩婚姻她妈极力反对，她老爹心里却清楚得很。紫菱也知道。所以当她发现费云帆还拥有超出她预想的东西后，才会感到彼此的“接近”。此外，她还拥有琼瑶女主都有的BUG技能——作词：

  我有一帘幽梦，不知与谁能共？多少秘密在其中，欲诉无人能懂！窗外更深露重，窗内闲愁难送，多少心事寄无从，化作一帘幽梦！

  昨宵雨疏风动，今夜落花成冢，春去春来俱无踪，徒留一帘幽梦！谁能解我情衷？谁将柔情深种？若能相知又相逢，共此一帘幽梦！

  看这词儿，说人家没才也不行吧。琼瑶家族牛人辈出。她妹妹就像书中的绿萍一样，是个天才（NASA的科学家），也是她母亲的骄傲。一般人会认为琼瑶阴暗希望她妹妹腿也断了。我觉得这种投射是有，但不至于。最大用处是发泄下阿姨多少年在家没地位的郁闷劲儿。而紫菱，这个编织一帘幽梦却对现实有清醒认识，选择了利益最大化婚姻的人，某种程度最接近琼瑶本身。做梦归做梦，现实中需要聪明冷静的时候可是一点儿不含糊。

  当紫菱最终明确告诉楚濂两人不可能在一起时，那曾经的一帘幽梦已随风而去，往事不必提，旧梦不须记。

• 如何阅读一本书？

  作者：孤独大脑 发布时间：2022-04-03 11:44:15