化妆师 下载 pdf 电子版 epub 免费 txt 2025
化妆师电子书下载地址
内容简介:
《化妆师:基础知识》由劳动和社会保障部教材办公室组织编写。《化妆师:基础知识》从职业能力培养的角度出发,力求体现职业培训的规律,满足职业技能培训的需要。《化妆师:基础知识》在编写中贯穿“以企业需求为导向,以职业能力为核心”的理念,采用模块化的编写方式。全书分为三个模块单元,主要内容包括职业道德、相关基础知识、相关法律法规知识等。每一单元详细介绍了本职业岗位工作中要求掌握的最新实用知识和技术。
书籍目录:
暂无相关目录,正在全力查找中!
作者介绍:
暂无相关内容,正在全力查找中
出版社信息:
暂无出版社相关信息,正在全力查找中!
书籍摘录:
暂无相关书籍摘录,正在全力查找中!
原文赏析:
暂无原文赏析,正在全力查找中!
其它内容:
书籍介绍
《化妆师:基础知识》由劳动和社会保障部教材办公室组织编写。《化妆师:基础知识》从职业能力培养的角度出发,力求体现职业培训的规律,满足职业技能培训的需要。《化妆师:基础知识》在编写中贯穿“以企业需求为导向,以职业能力为核心”的理念,采用模块化的编写方式。全书分为三个模块单元,主要内容包括职业道德、相关基础知识、相关法律法规知识等。每一单元详细介绍了本职业岗位工作中要求掌握的最新实用知识和技术。
精彩短评:
作者:哀骀它 发布时间:2020-08-28 16:36:32
这版的万磁王在没有戴头盔的时候显得很痴呆。
作者:穆祺 发布时间:2020-06-01 15:25:36
作者:鹅在我头上 发布时间:2013-03-25 15:02:57
没有第一本好看。每个故事后附一篇作者创作手记这个想法,总觉得有点多余。
作者:魏府牙军 发布时间:2022-04-30 09:45:28
清缅战争深刻揭露了天朝上国泥足巨人的本质。
作者:XDk 发布时间:2022-12-12 11:29:48
首先是价廉物美,10来块钱很厚一本锁线精装书;其次,带有很多注释,这一点是其他版本不能比的;第三,内容涵盖了春秋战国,直至秦始皇统一天下,实行郡县制。以正史为基础,还兼顾了其他历史记载,丰富又全面,是一部极好的历史入门读物。
作者:丸子小樱桃 发布时间:2006-08-14 18:17:53
从小看到大的书
深度书评:
读完《滚雪球》,我从巴菲特身上学到这几点
作者:Scalers 发布时间:2018-05-02 14:01:01
最近读完了沃伦·巴菲特的传记《滚雪球》,这本书是巴菲特的成长记述,历数的巴菲特上下共五代人的故事。读完这本书,我有许多感悟,今天与大家分享一下。
0. 巴菲特的财富人生
国内很多人称巴菲特为“股神”。巴菲特是通过持续投资让自己不断变得有钱,在2008年,他在福布斯排行榜上排到了首位,超过了比尔盖茨,成为世界首富;截止2018年2月,他个人净资产875亿美金。这是什么概念,国内阿里巴巴的马云大家都知道有钱,净资产279亿美元,巴菲特是他的三倍。
如果你每天中500万人民币的彩票,你要连续中300年才能有875亿美金。
巴菲特是Berkshire Hathaway公司的主席,这家公司通过控股、投资等方式拥有大量公司与资产,从1965年起至今保持20%的年复利增长(同期的S&P标普500指数只有不到10%),在2017年世界500强中,Berkshire Hathaway排名第8。前五名分别是:沃尔玛、国家电网、中石油、中石化和丰田汽车。Berkshire Hathaway每年的股东大会是投资者的一次盛会,每年巴菲特给股东写的信,都广为流传。
2006年6月,巴菲特宣布会在几年中逐步向其他基金会捐赠Berkshire Hathaway的股票用于慈善事业,其中大部分将捐给比尔盖茨的基金会。《滚雪球》这本书里评论道:“
这位自己存硬币的衣橱都连家人都不准碰一下的小男孩,历经蜕变,现在终于可以自如地将数百亿美元交给别人打理了。
”
(巴菲特和比尔盖茨在巴菲特收购的家居城)
1. 理智让人在投资市场持续走下去
巴菲特说过,“你对股票可能有情感,但是股票对你却未必会有情感”。在读《金融心理学》的时候,就意识到,人由于主观的因素,往往对客观的事物变化,无法给出理智的评判。就以股票投资而言,当股票涨了,我们很容易倾向认为,这个涨势会一直持续下去,于是追高,但是却发现被套牢;当股票跌了的时候,我们就会默认还要继续跌下去,于是割肉却发现,一卖掉就开始涨。
普通人总是被表面所迷惑,而所谓价值投资是需要建立一套自己的认知体系来独立看待问题。
“大钱往往是那些能够做出正确的定性决策的投资人挣到的”,“如果你在股票市场上不能有独立的想法,那你的投资注定不会成功”。
读巴菲特的故事让我感觉,这位长者有着极度的冷静和理智。比如他有钱,但是却一直住在奥马哈的老房子里几十年,他不怎么花钱消费,因为他认为这笔钱拿来投资复利,相当于未来的好多钱;他在生活并不因有钱而奢侈,反而非常克制,以至于自己的儿女结婚的时候,都不愿意多出钱而被妻子批评。
这种理智伴随着的其实是对人的情绪或者情感的无暇顾及。我们可以想象一下,一个从小就爱读《统计年鉴》的男孩,知道奥马哈人口数量,这种风格在女孩之中会不会受到欢迎?1949年,他买了一把四弦琴,和一个女孩的男朋友展开竞争,最后的结局是,手里拿着四弦琴,却没有俘获那个女孩的心。
2. 专业与专注是安身立命之本
在网站上我看到一部关于巴菲特的纪录片,标题叫 Becoming Warren Buffett (
http://t.cn/RuMHYMf
)。在纪录片里,有人评论到,巴菲特能有今天,还不是有一个国会议员的爹,我觉得这有点反鸡汤过度了。
巴菲特的成长必然会受到父亲的影响,因为从小他就读了父亲书柜里的许多书,比如《证券分析》等。但是有一点,我认为是我们需要学习的,也是巴菲特行走江湖的根基,就是
他广泛而又深入的阅读,以及在此之上的对数据的分析与理解。
巴菲特会翻阅上千页的《穆迪手册》从中寻找价值被低估的公司。
如果有一本书,上面密密麻麻全部是数字,对于大部分普通人而言,没有人给他解读,那他永远不会耐心地看下去。
哪怕这些财报都是公开的,但是大多数人还是选择让别人给他推荐可能会涨的股票,却不愿意自己花时间投入,给自己找了一堆理由。
在《滚雪球》最后一节中,作者总结道“他研究了大量股票,一头钻进图书室和地下室认真研究别人动都不再想动的陈旧股票记录。他一宿一宿地研究别人看来只是觉得眼花缭乱的成千上万个数字。他每天早晨要认真阅读几份报纸,就像痛饮可乐那样贪婪地读《华尔街日报》。……度蜜月时,他在车子后座塞满了《穆迪手册》和会计分类账。他花几个月时间阅读一个世纪以来的报纸,了解商业循环模式,华尔街的历史,资本主义的历史和现代公司的历史。他密切关注全球政局,分析其对商业的影响……”。
我认为巴菲特在自己的专业内下到的功夫,可以秒杀绝大多数普通人,而这也是他能在财富上斩杀大多数人的重要前提条件。
没有在年轻的时候积累的深厚功夫,不会有持续几年的投资上的表现。
巴菲特曾经说,“每个人都能读到我的读的内容,这是一个公平的竞技场”。巴菲特是用自己的脑力与体力,往深处努力;反观这个时代,知识付费在让知识变得“通俗易懂”的同时,却也让大部分人失去了深入分析与思考的机会。
你的脑回路和大多数人一样,那在财富上无法有所突破,也是必然的结果了。
(这里留一个小问题:巴菲特有没有用快速阅读的方法,做这些事情?)
我们需要有自己的专业,
在这个方向上投入远远超过他人的时间和脑力
;而在做这件事情的时候,我们需要的就是“专注”。
巴菲特在刚刚认识比尔盖茨时候,盖茨的父亲有一次拿出两张纸,让两位分别写出认为一个人所需要的最重要的品质,巴菲特和盖茨都在纸上写的是“专注”。
3. 把时间拉长才能看到什么最重要
巴菲特举过这么一个例子:
你自己在车商那选一辆车,你喜欢什么?如果让你这一生只开这一辆车,你会怎么办?是不是要好好的爱护这辆车。
我们每个人的大脑和身体,就是要陪伴我们一生的,就像是我们这一生仅有的一辆车。
很多人不理解巴菲特为什么长期不碰科技股,因为他认为技术是更新换代很快的;而他更多关注的是传统领域,几十年都有长期稳定的消费需求的。这给我提供了另外的视角。因为我们现在很多信息其实是来自互联网,我们会对技术类资讯有优先的认知直觉,就会觉得这些应该最好。但是如果换到巴菲特的视角,他持有的许多公司穿越了十年甚至几十年的历程,把目光放长远以后,看到的好像又不一样了,比如雅虎公司,从如日中天到现在,20年……
而正因为目光放长远,道德与声誉就变得更重要。这其实是一个持续行动的问题,随着时间的推移,什么样的事业才能更长久,需要什么样的精神才能走得更好?巴菲特给出了自己的见解:“
如果一个人的一生仅靠他有多少钱来衡量,或是去年赚了多少钱来衡量,那么他迟早都要惹上麻烦
”。在处理所罗门公司事件的时候,他说了这样一句话,“如果公司亏钱了,我还能理解;但是如果让公司名誉受损,那我将毫不留情。”
到现代信息社会,热点此起彼伏,事件的生命周期越来越短,每个人每天都在追逐最新的热点,都异常焦虑。在这种越来越快的节奏中,很多人容易迷失了自己,找不到方向,失去了专注,丢掉了价值。在相互折磨的社交网络上,我们每个人都披上一张表皮,刻意呈现出某一副特定的样子,按照别人告诉我们应该有的方式生活。
在这样集体无意识的狂欢中,巴菲特的故事至少可以给我们一些启发:坚持自己的信念看法,打好扎实的专业功底,利用好复利的强大作用,慢慢走下去,我相信,这样的人生不可能会差。
《扎根》英文版书评
作者:与拉玛有约 发布时间:2012-02-05 07:10:45
这是我在2009年应MCLC出版中心邀请,给《扎根》的英文版写的书评。
原文发表链接:
http://mclc.osu.edu/rc/pubs/reviews/song.htm
"We're going to Hongze Lake to eat fish!" Thus announces the intellectual Tao Peiyi at the beginning of Han Dong's novel Zhagen, when the Tao family is about to be banished by the Party authorities from their home in Nanjing and move into a small village in the poverty-stricken Subei area (northern Jiangsu). Nicky Harman translates the title Zhagen, which literally means "striking root" or, metaphorically, "settling down," into Banished! The English seems to present a meaning opposite to what the original title signifies, but it nevertheless lays bare the poignant irony the latter connotes. "Zhagen" is a political term used to sugarcoat Mao's infamous policy that aimed to have millions of intellectuals, "liberal-minded" cadres as well as educated youths uplifted from their urban homes and exiled permanently to China's rural area. It is a policy that Mao first adopted to punish his political challengers during his reign in Yan'an, and it was executed on a much larger scale in the late 1960s when Mao desired to reorganize the sabotaged social order after the Cultural Revolution swept the entire country. By calling it "zhagen," the communists put a varnish on this punishment by making it look like a voluntary act that the punished enjoyed doing out of their own will.
Han Dong's protagonist, Tao Peiyi, appears to be one of those who would voluntarily turn his banishment into an opportunity to start building a new home on the "virgin soil." Tao's profession as a troubled writer and his experience of being banished are identical to those of Han Dong's father, Han Jianguo (1930-1979), better known as "Fang Zhi," the pseudonym with which he published around two dozen short stories. Fang Zhi became famous during the Hundred Flowers movement (1957), when he followed the then literary trend "to intervene in life" by playing out a youthful wish to edit a literary magazine outside the official system. The title of the magazine is Tansuozhe (Explorers), a name that, together with Wang Meng's audacious portrait of the challenge of a "young man" newly arrived in the "organization department,"[1] remains in PRC's intellectual history a testimony to the short-lived liberal trend of the Hundred Flowers. However, Fang Zhi's magazine never saw publication. When Mao suddenly launched the Anti-rightist campaign in the autumn of 1957 to retaliate against the young challengers that emerged in the Hundred Flowers, Fang Zhi, as well as his co-editors and fellow writers Ye Zhicheng, Lu Wenfu and Gao Xiaosheng,[2] was criticized and required to stop all literary activities.
Han Dong does not even bother to fictionalize; he presents a straightforward account of his father's past experience in the life history of Tao Peiyi,[3] who is the most vividly depicted character in Banished!. On the surface, Tao displays a strong sense "politically correctness." He does not complain about being expelled from the city or from his work unit, and from day one of his new life in the shabby village of Sanyu he seems to be fully committed to the cause of "settling down." The first two chapters describe in great technical detail how Tao overcomes all kinds of difficulties to build a new home for his family and "merge" with the peasants--the local villagers. However, as a good satirist, Han Dong makes the plain words sound parodic, the realistic depictions appear ironic, and the straightforward looks crooked.
Han Dong, born in 1961, first gained fame as a leading poet of the avant-garde "Third Generation," which sought to revamp China's poetry scene in the middle of the 1980s with their unconventional poems. Han Dong revived his father's old dream by launching an unofficial poetry magazine, Tamen (Them, 1985-1995), and his own poems caught the attention of critics for their adept use of the colloquial style, unique way of metaphysicizing ordinary scenes from life, and subtle handling of irony and parody. He started writing short stories and novellas in the 1990s, and his fiction tends to enlarge his poetic vision in a more objective and realistic way. Banished!, Han Dong's first full-length novel, epitomizes many characteristics of his earlier poetic and fictional writings.
Although the novel spares no effort to describe Tao Peiyi and his family members' enthusiasm for beginning a new life in exile, its densely detailed portrayal of their mental and physical activities often works to create a contrary effect. In the first two chapters, a lengthy account of nearly every aspect of their life in Sanyu Village, though wrapped in an overall optimistic outlook, nevertheless brings to light many minute details that indicate the existence of a bleak, harsh reality as well as the unthinkable inconveniences it produces. A major project for the Taos is to build a solid house so they can move away from the cowshed where they have "temporarily" lived for a year. The narrator tells us: "The project had been in the planning for some time. There was to be no skimping since, as Tao put it, they were to 'dig in' here for many generations" (20). The narrative, too, does not skimp in its depictions and explanations of the planning and construction process. The narrative of the house-building process is full of technical information, paralleled by the recounting of the corresponding cautiousness of every member of the Tao family: Tao, his wife Su Qun, his son, and his parents. Here, it is Tao's father's obsessive pursuit of perfection in the mundane affairs--not limited to building the house--that gives away the "secret" of this family: they are optimists not without principles, and their principles are to use every means possible to adjust to their new reality.
The irony in the novel lies in Tao Peiyi's tendency to give every difficult situation a positive skew, as illustrated by his announcement at the beginning of the novel that they are going to Hongze Lake to eat fish, which serves as a tactic to sooth the psychological uneasiness of his family, and himself, at a time when their fate seems to have been sealed by the banishment. Furthermore, Tao even plays the trick of the "spiritual victory" with his family members by making them believe that they have maintained a friendly relationship with the villagers, have served the people by providing scientific and medical help, and have built their home on fresh virgin soil; in fact, however, his father has to keep bribing the villagers with cigarettes, food, and money, he and his wife are working extra hard to study agriculture and medicine books in their spare time, and his vision of the "virgin soil" is actually based on faint memories of the nineteenth century Russian novels he read before his downfall. The reality is that none of his family members could stand the suffocating smell of the pig bed.
Tao tries to raise his son, young Tao, to become a peasant. He feels worried when he sees his son intimidated by the challenges of village life, but later he finds joy in young Tao's addiction to cruel, abusive killings. Chapter Five presents a brutal depiction of young Tao's abuse of small animals and his indulgence in killing off chicken and fish: "Tao, whose opinion counted most to the boy, believed that these killing sprees showed the kind of courage that a boy ought to have and that would serve him well in his future in Sanyu" (90). But a rather touching part of the novel is its chronicle of the "dog years" that seems to serve as a contrast to young Tao's cruelty in killing, but may well be read as a supplement to it. During their decade-long stay in Sanyu, the Tao family raises four dogs one after another. The villagers succeed in plotting to kill and eat the first two, Patch and Snowy, who are unusually plump because of the Tao family's residual habit of feeding them with human food. In order to avoid the sadness of seeing their beloved dogs killed, the Tao family learns to treat the next two dogs, Brownie and Blackie, "badly," like the villagers normally do; as a result, they do not grow into nice, fat dogs, and they survive. The way the author portrays the Taos' care for their dogs, concerns with their fate, and grief over their death injects the novel with some of its most humanized moments. Probably for this reason, the narrator prefers to use the names of the different dogs to mark the passing of the Taos' years spent in Sanyu:
You will often read in the pages that follow, "When the Taos had Patch . . . "; "When Snowy was still alive . . ."; "Not long after they got Brownie . . ."; or "During Blackie's time . . ." My readers may find this strange, but young Tao would definitely have approved. (86)
One of the saddest and most gripping episodes in the novel is not about the suffering of the Taos, who work step by step to adjust to the inhumanly harsh environment; it takes place instead after the castration of their second dog Snowy, who, as an animal, has no way of consoling himself:
The vet took out a knife, felt gently between the dog's legs, and suddenly there was a gush of blood. Snowy yelped loudly, and young Tao, who was holding his back legs down, nearly jumped out of his skin.
When released from the garden fork, Snowy jumped up and ran off toward the production team fields to the south of the house, hopping on three legs. He yelped as he ran and left drops of fresh blood behind him that made a dotted trail on the ground. Young Tao followed his tracks as far as the banks of the Yanma River. Snowy had stopped by then but still stood with one leg raised. His crotch was all bloodied, and the hair on his legs was all red too.
Young Tao made several attempts to get near Snowy, but each time the dog jumped away. When the boy stood still, so did he, looking at young Tao with eyes full of fear. Intermittently he whimpered. This scene on the riverbank continued until it grew dark.
Young Tao stayed with Snowy because he was afraid that if he left him, the dog would not get home on his own. He remembered that when they had moved to the new house, Patch had refused to leave the cowshed with similar obstinacy. And Snowy of course had good reason to be upset. In the growing gloom, Snowy's white coat faded away until only a pair of dog's eyes and the ripples on the surface of the water glittered in the darkness. Young Tao crept closer and closer until finally he succeeded in touching Snowy's damp head. (81)
Without the set of fully developed psychological tactics the Taos use to keep themselves immune from tragedies and sufferings, Snowy, with his yelps, strips naked the truth of being punished, abused, and banished. Another intriguing moment in the novel is when the narrator reveals why young Tao loves dogs so much but never hesitates to abuse the cat and some other small animals. The cat does not have a name, and young Tao uses every means to mistreat her. But even the chicks evade the fate of being turned into food after receiving names from the Taos:
One day Tao had time on his hands and had the bright idea of giving them names. One was molting and had patches of thick and thin feathering. Tao called him Tattered Jacket. Another had a great tuft of tail feathers that swayed as he walked, and Tao called him Palm-Leaf Fan. And that was that. When they had grown enough to be killed, the Taos could not bring themselves to do it because they would be killing not just any young cockerels but Palm-Leaf Fan and Tattered Jacket. Protected by their names, the cockerels grew up and began to crow and to rape the hens. (33-34)
The stirring power of this paragraph is its penetrating observation of a seemingly normal type of human psychology that appears to be so fragile, and yet so easy to maintain--just by humanizing the things around, even if this is acted out by a most childish wish. But we cannot overlook the fact that that same childish wish drives young Tao to kill hundreds of fish and some chicks who lack the luck of Palm-Leaf Fan and Tattered Jacket--probably because they do not have a name!
Compared with Han Dong's shorter fiction works and his more recent novel--Xiaocheng haohan zhi yingtemaiwang (The heroic deeds of the bandits in a small town, 2008), Banished! achieves a better balance between realism and irony, sincerity and cynicism. The narrator displays a well composed style, which Nicky Harman's translation successfully renders into English, as the well-paced narrative of a family's adventure unfolds taking readers through a multitude of small events that turn their life story into a small part of a larger tragedy staged across the entire nation. The Tao family's story sounds especially tragic when Tao Peiyi's wish for the family to "settle down" as peasants seems to have been realized. But contrary to his original plan, the family "settles down" only after its older members start dying one after another: "So it seemed they had to continue Striking Root; only the result would not be young Tao's settling down in Sanyu, but Tao and Su Qun growing old [and dying] in Hongze. Going home was possible only when there was a home to go to. Home was where your roots were. Su Qun and Tao would be those roots for young Tao, would plunge them deeply into the earth, so that one day, when their son was old and gray-haired, he could return home" (223).
Tao Peiyi dies one year after his rehabilitation. When he's dying, his son is studying at a university in another city. Unlike Han Dong, Young Tao never returns to Nanjing after his graduation.[4] When he thinks of "home," he dreams of the bleak house his father built in the village. But he does not feel sure about it, so he is never able to speak out the location of his "old home" confidently. We may borrow Ch'u Tien-hsin's famous phrase to say: "We cannot call a place home if no family member dies there."[5] In young Tao's case, home becomes a ghostly place when the family members have died.
Mingwei Song
Wellesley College
Notes:
[1] This image of the "newcomer" is found in Wang Meng's short story "Zuzhibu laile ge nianqingren" (A young man arrives at the organization department), which was published in Renmin wenxue (People's literature) in September 1956. It first received wide praise from critics but soon became the target of criticism when Mao launched the Anti-rightist campaign.
[2] Lu Wenfu and Gao Xiaosheng later became important writers during China's reform era. Ye Zhicheng worked as a literary editor, and he's the father of the novelist Ye Zhaoyan.
[3] Han Dong uses the title of his father's magazine Tansuozhe (Explorers) to name Tao Peiyi's planned literary magazine, which later causes him trouble (p. 167).
[4] The author, after teaching Marxist philosophy in a university in Xi'an for a few years, returned to his hometown Nanjing in the late 1980s, and he has lived there ever since.
[5] Zhu Tianxin, "Xiang wo juancun de xiongdimen" (Thinking of my brothers in the military residence). In Zhonghua xiandai wenxue daxi (Compendium of Chinese modern literature). Taipei: Jiuge, 2003, vol. 9, p. 996.
网站评分
书籍多样性:8分
书籍信息完全性:3分
网站更新速度:4分
使用便利性:7分
书籍清晰度:4分
书籍格式兼容性:9分
是否包含广告:5分
加载速度:8分
安全性:3分
稳定性:3分
搜索功能:6分
下载便捷性:7分
下载点评
- 无颠倒(583+)
- 下载快(665+)
- 藏书馆(92+)
- 快捷(514+)
- 全格式(359+)
- 体验还行(454+)
- 已买(358+)
- 赚了(175+)
- 无缺页(447+)
- 赞(192+)
- 差评(77+)
- 体验差(510+)
- 引人入胜(235+)
下载评价
- 网友 芮***枫: ( 2024-12-19 15:30:14 )
有点意思的网站,赞一个真心好好好 哈哈
- 网友 孙***夏: ( 2024-12-25 04:37:06 )
中评,比上不足比下有余
- 网友 印***文: ( 2024-12-22 16:37:05 )
我很喜欢这种风格样式。
- 网友 辛***玮: ( 2025-01-04 08:36:32 )
页面不错 整体风格喜欢
- 网友 寿***芳: ( 2024-12-19 02:36:27 )
可以在线转化哦
- 网友 屠***好: ( 2024-12-13 20:44:09 )
还行吧。
- 网友 詹***萍: ( 2024-12-13 02:07:45 )
好评的,这是自己一直选择的下载书的网站
- 网友 家***丝: ( 2025-01-08 18:25:56 )
好6666666
- 网友 石***致: ( 2025-01-02 12:09:42 )
挺实用的,给个赞!希望越来越好,一直支持。
- 网友 步***青: ( 2024-12-22 12:36:03 )
。。。。。好
- 网友 谢***灵: ( 2024-12-11 14:12:17 )
推荐,啥格式都有
- 网友 晏***媛: ( 2024-12-29 09:21:56 )
够人性化!
- 9787509168196 下载 pdf 电子版 epub 免费 txt 2025
- 赶大营 下载 pdf 电子版 epub 免费 txt 2025
- 【正版】不分心:初学者的正念书 (美)乔.卡巴金 中国华侨出版社【品质无忧,闪电发货】 下载 pdf 电子版 epub 免费 txt 2025
- 经济法过关速记锦囊 下载 pdf 电子版 epub 免费 txt 2025
- 英语高级口译证书模考试卷汇编 下载 pdf 电子版 epub 免费 txt 2025
- 企业内部审计实务详解 审计程序 实战技法 案例解析 下载 pdf 电子版 epub 免费 txt 2025
- 全新正版图书 高等数学 上海交通大学出版社 9787313174574青岛新华书店旗舰店 下载 pdf 电子版 epub 免费 txt 2025
- (2014最新版)黑龙江省公务员录用考试专用教材省、市、县、“四级联考”专用教材—申论 下载 pdf 电子版 epub 免费 txt 2025
- 里夏德·施劳斯 下载 pdf 电子版 epub 免费 txt 2025
- 民航公安刑事执法规范 下载 pdf 电子版 epub 免费 txt 2025
书籍真实打分
故事情节:6分
人物塑造:9分
主题深度:6分
文字风格:4分
语言运用:7分
文笔流畅:8分
思想传递:4分
知识深度:9分
知识广度:3分
实用性:4分
章节划分:5分
结构布局:5分
新颖与独特:6分
情感共鸣:6分
引人入胜:6分
现实相关:8分
沉浸感:9分
事实准确性:8分
文化贡献:4分