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Humphrey Bogart: it’s hard to think of anyone who’s had the same lasting impact on the culture of movies. Though he died at the young age of fifty-seven more than half a century ago, his influence among actors and filmmakers, and his enduring appeal for film lovers around the world, remains as strong as ever. What is it about Bogart, with his unconventional looks and noticeable speech impediment, that has captured our collective imagination for so long? In this definitive biography, Stefan Kanfer answers that question, along the way illuminating the private man Bogart was and shining the spotlight on some of the greatest performances ever captured on celluloid.

Bogart fell into show business almost by accident and worked for nearly twenty years before becoming the star we know today. Born into a life of wealth and privilege in turn-of-the-century New York, Bogart was a troublemaker throughout his youth, getting kicked out of prep school and running away to join the navy at the age of nineteen. After a short, undistinguished stint at sea, Bogart spent his early twenties drifting aimlessly from one ill-fitting career to another, until, through a childhood friend, he got his first theater job. Working first as a stagehand and then, reluctantly, as a bit-part player, Bogart cut his teeth in one forgettable role after another. But it was here he began to develop a work ethic; deciding that there were “two kinds of men: professionals and bums,” Bogart, for the first time in his life, wanted to be the former.

After the Crash of ’29, Bogart headed west to try his luck in Hollywood. That luck was scarce, and he slogged through more than thirty B-movie roles before his drinking buddy John Huston wrote him a part that would change everything; with High Sierra , Bogart finally broke through at the age of forty—being a pro had paid off.

What followed was a string of movies we have come to know as the most beloved classics of American cinema: The Maltese Falcon , Casablanca , The Big Sleep , The African Queen . . . the list goes on and on. Kanfer appraises each of the films with an unfailing critical eye, weaving in lively accounts of behind-the-scenes fun and friendships, including, of course, the great love story of Bogart and Bacall. What emerges in these pages is the portrait of a great Hollywood life, and the final word on why there can only ever be one Bogie.

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书籍介绍

Humphrey Bogart: it’s hard to think of anyone who’s had the same lasting impact on the culture of movies. Though he died at the young age of fifty-seven more than half a century ago, his influence among actors and filmmakers, and his enduring appeal for film lovers around the world, remains as strong as ever. What is it about Bogart, with his unconventional looks and noticeable speech impediment, that has captured our collective imagination for so long? In this definitive biography, Stefan Kanfer answers that question, along the way illuminating the private man Bogart was and shining the spotlight on some of the greatest performances ever captured on celluloid.

Bogart fell into show business almost by accident and worked for nearly twenty years before becoming the star we know today. Born into a life of wealth and privilege in turn-of-the-century New York, Bogart was a troublemaker throughout his youth, getting kicked out of prep school and running away to join the navy at the age of nineteen. After a short, undistinguished stint at sea, Bogart spent his early twenties drifting aimlessly from one ill-fitting career to another, until, through a childhood friend, he got his first theater job. Working first as a stagehand and then, reluctantly, as a bit-part player, Bogart cut his teeth in one forgettable role after another. But it was here he began to develop a work ethic; deciding that there were “two kinds of men: professionals and bums,” Bogart, for the first time in his life, wanted to be the former.

After the Crash of ’29, Bogart headed west to try his luck in Hollywood. That luck was scarce, and he slogged through more than thirty B-movie roles before his drinking buddy John Huston wrote him a part that would change everything; with High Sierra , Bogart finally broke through at the age of forty—being a pro had paid off.

What followed was a string of movies we have come to know as the most beloved classics of American cinema: The Maltese Falcon , Casablanca , The Big Sleep , The African Queen . . . the list goes on and on. Kanfer appraises each of the films with an unfailing critical eye, weaving in lively accounts of behind-the-scenes fun and friendships, including, of course, the great love story of Bogart and Bacall. What emerges in these pages is the portrait of a great Hollywood life, and the final word on why there can only ever be one Bogie.

• 作者：下一棵树 发布时间：2020-01-17 20:56:37

  大兴安岭深处的一个个故事，在岁月的长河中接受了风葬。

• 作者：烈 发布时间：2010-04-23 22:19:58

  怎么说呢，这是异性恋女性的心理...

• 作者：江糊骗子 发布时间：2021-01-08 12:53:16

  感谢怡宝宝

• 作者：雨露秋禾 发布时间：2020-02-26 00:24:19

  【网易蜗牛读书】

• 作者：zz 发布时间：2022-04-20 17:38:10

  看不懂

• 作者：Yen 发布时间：2014-04-06 22:20:36

  哇靠這本書都有，看的是電子版的，彩色印刷。文字部分有收錄再《雲南史料叢刊》，所以這裡主要是看服飾。

• 希望能从作品中读出李清照跌宕起伏的一生

  作者：宛如月光 发布时间：2020-11-29 10:54:33

• 读书笔记

  作者：zhou@＾@min 发布时间：2019-09-08 22:55:39

  小时候爱看小品，因为表演看起来容易理解点，比如赵本山的小品。小时候对相声没啥感觉，两个人台上一站，长褂一穿，不新鲜，着装没个性，两男的也不化妆，没劲，更别提单口相声了，一个人说更没劲。

  最近几年也是看德云社的相声，突然能欣赏到相声的美学了，靠一张嘴给你逗乐了，就靠这一张嘴吃饭，想想，太有学问了。

  小时候的厕所读物，是一本笑话集，一整本短片笑话，那是笑话书，比不上这相声，台上的艺术，但都有一个功效，就是能逗乐你，机缘巧合，现在看了这本马三立大师的作品集，于是乎翻来看看。这书的作者是马三立老师的孙子马小川（不太知道），我知道的是一个叫马东的，《奇葩说》的制作人兼发起者，我以为马东是马三立儿子，原来不是，马东是马季老师的儿子才对，正常人看脸应该能区别开。作者长啥样啥的不知道没关系，作者除了整理马老师的作品，也记载了鲜为人知的背后故事，这个好，满足八卦群众的好奇心，读着有意思，越读越想知道越想了解，一位优秀的大师，是如何炼成的。

  对相声，对马三立老师感兴趣的，可以读读这本。

  相声真的是门艺术，希望自己能深入了解自己喜欢的东西而不仅仅只是看看听听。