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• 作者：Sun_ny晴 发布时间：2014-09-21 09:16:48

  内容略有落后。

• 作者：岿然老师pro 发布时间：2015-10-01 16:23:46

  很好

• 作者：楚鸟未鸣二十秋 发布时间：2021-08-01 05:15:04

  如版筑之鳞次栉比，颇有头绪

• 作者：刘邦后代 发布时间：2017-04-30 18:27:30

  这本书没有分章节，整本书就是总共181个问题的FAQ，都是留学美国的常见问题，适合给大一大二想申美国研究生的同学科普美国申研常识

• 作者：浦景 发布时间：2022-06-02 08:25:49

  对自己来说，收获比较的多，如果说是学生时期读到这本书，可能对自己的学习会有更深的体会。

  书上得来终觉浅，绝知此事要躬行。

  亲自去行动，去做努力。

  慢慢的看到人生希望，特别喜欢封面，很有感觉。

  努力去做吧，做好计划。

  树立信念，相信自己。

• 作者：zen:) 发布时间：2021-05-19 14:28:00

  封面的方形建筑一角，是我最爱的一座图书馆。这座图书馆从设计到竣工耗费26年，拥有迷宫般的结构，那些刚柔并济、外方内圆的建筑线条，极致的对称几何，呈现出一种理性之美。传记穿插生活与事业的双重面具，即使是非建筑爱好者，也能捕捉到许多共鸣。一个强调艺术而无暇顾及商业算计的建筑师，用砖块和水泥来叩问人生的意义。“即使是一块砖，也有自己的渴望。最好的建筑，能让时光倒流。” 从许多项目规划里可以看出他高度前瞻性与深层次的完美主义，总结几点特征：纯粹的几何造型、裸露坦诚的材料，由光照创造的精神空间，寻求古典建筑的纪念性、寻找空间秩序层级、结构理性主义。

• most objective account about The Doors

  作者：Right is Wrong 发布时间：2012-12-17 19:43:50

  Finally finished the three The Doors books in row. My reading order is: NOHGOA, light my fire, and riders on the storm. This coincides my rankings for them, from worst to best.

  I really got disappointed about Jim Morrison after reading NOHGOA. He is just Jim Morrison, nothing mysterious or intangible. And it reminded me an old comment about Jimi Hendrix:” He is too week. But if you want to rock ‘n’ roll, you can’t be too week, you have to be a very tough.” And I started to reflect a lot about my fascination about Jim: the atmosphere that seduced me is created mainly words from Jim or music by The Doors? Imagine if Jim Morrison is in another band, will I still love him so much? I have no answer, because there is not such if. Jim Morrison’s word is inseparable with The Doors music. Another thing that hurts me in NOHGOA is, it mentioned so few what The Doors meant to Jim Morrison. It seems the members came together merely for job. A very cold and indifferent attitude, which really baffled me. There can’t be nothing in group, neither love nor conflicts.

  Light My Fire from Ray Manzarek is radically different from NOHGOA. Ray praised highly even made Jim like a God (real Dionysus). My favorite parts in that book is Ray talked about his drug experiences and life details which gave me a detailed 60s life portrait. It untangled many my doubts about 60s ideas, such as how psychedelic born, why people were so indulging in drugs, sex etc. And Ray talked in a very “gentle father” tone. Without doubts, he loved The Doors and highly respected Jim Morrison. But I thought he tended to exaggerate a lot of emotions and facts, not only with The Doors stuffs, but also about his private life (is it influenced by his Japanese wife?). The last chapters he wrote about Jim Morrison is especially very overdo. A surprise bonus Ray delivered in LMF is his candid confession where his music inspirations came from and how many The Doors musics had conceived. Another discover in Ray’s book, is how he satirized the sycophants around Jim, who were categorized as friends in NOHGOA. Or in another words, he blamed Jim in choosing the wrong groups (very father, isn’t it?). Although Jim said to Ray that he wanted to live like a shooting star, I though he didn’t fulfill this definition: he didn’t burn out fully at all, he self destructed too early. His talents in The Doors is only a small take off of his ability.

  In The Doors, the division was clear: Ray was closer with Jim, John and Robby stood on another side. The first few chapters in Riders On The Storms I was very surprised by John’s straightness about his anger toward Jim. But overall, this is the most objective account I read about The Doors. John Densmore pointed out the fatal problem in The Doors: the silence, “ Everyone pretend to not see the elephant in the room and simply walked around it. There are elephant shit everywhere on the floor, but all pretend there is nothing there” . Ray said in his book he felt guilty of not helping Jim, so did John. But John knew very well it is more about their own escapism and fears to confront the “unstoppable problem”(before you really tried hard, how can you said it was surely unstoppable?). I am very touched that John told the stories by writing letters to Jim, about their later unsatisfying developments, troubles in life. Ironically, he confessed all these stuff to someone he once hated so much. Maybe he isn’t really writing to Jim Morrison or the readers, this man is communicating with his own heart about his life. Ray stated several times in his book that John never understood Jim, and John confessed too that a lot of things about Jim he never came to understand. Anyway I don’t think Ray knew Jim much better than John did. And John is much humble on this issue. I love the part about post-The Doors situation. Ray rarely spoke about that. We can glimpse a little the reason why “John showed and was heard so few afterwards” as described by Ray: John pissed Ray tried to establish another band to replace The Doors and other commercial issues.

  It was so horrifying when Paul Rothchild told the three doors that they were experiencing one of the most special psychological state, they have to make as many music as possible before Jim collapsed. This is benefiting from others’ pains. I understood his intention but really it was too selfish and merciless.

  Reading about John’s sarcasm about NOHGOA reminded me a thing few years ago. When a schoolmate died for a sudden disease, many people popped out claiming as this girl’s “friends” to reminisce her. I really don’t appreciate such promotion.

  Falling in love with the poetic lyrics because of The Doors. Leonard Cohen and Syd Barett seem to be great topics for further reading.

• 《步步娇：单雯说剧谈情》——步步娇，声声慢，昆曲之美，千古之情

  作者：悦读的静谧时光 发布时间：2023-08-05 18:06:38

  

  　　水袖丹衣，裙裾飞扬，钗光鬓影，顾盼生姿，这就是昆曲，它细腻婉转又轻柔缠绵，几多空灵缥缈，又几多优雅缠绵，如诗如画，如梦似幻。

  

  　　

  《步步娇：单雯说剧谈情》是一部介绍昆区文化的经典读物，作者是国家一级演员、昆曲名家张继青先生入室弟子、第29届中国戏剧梅花奖得者、南京艺术学院教授单雯，这一次她以书写者和表演者的双重身份，为我们解读杜丽娘、李香君、杨玉环、白素贞等12名古典戏曲中的女性形象，带我们走进她们的内心世界。

  

  单雯老师出自梨园世家，从小耳濡目染，一心向艺，十二岁登台表演，十六岁出演《桃花扇》，一戏成名，之后的许多年，她细细琢磨每个角色，演出了一场又一场打动人心的表演。

  

  多年的舞台表演经历让单雯老师对戏中的女性有着深切的感情，也对她们的性格命运有着独到的理解。人们说，昆曲最大的特点就是细处着手和深刻的感染力，单雯老师的文字也同样细腻而动人，这一次，她将她的认识和感悟融入文字中，让我们看到每个女性形象背后丰富的精神世界，也带给我们不一样的昆曲之美。

  

  提到昆曲，就不能不提到《牡丹亭》，它是中国戏剧文学史上的一个重要里程碑，白先勇先生说，“《牡丹亭》是用最美的艺术形式，表现出了中国人最深刻的情感”。这是女孩杜丽娘的爱情故事，16岁的她因梦生情，因情生痴，因痴而亡，后又因爱而复生。哪怕我们没有真正地看到这出戏剧，也可以从文字中感受那样的深情厚意，这个痴情的女孩就这样步步生莲，从戏曲中走了出来，从那个梦中走出来。于是，四百年后的今天，我们依旧动情于这场梦，依旧感动于那一句“情不知所起，一往而深，生者可以死，死可以生。生而不可与死，死而不可复生者，皆非情之至也”，而杜丽娘也让我们在她的悲喜中看到了她梦中的自由与放纵，看到了她现实中的挣扎与无奈，或许这才是这部剧带我们最深刻的东西。

  

  柔情万千的曲调还在悠扬地唱着，那样轻柔，那样悠远，让人沉醉……