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Book Description

"As they watched on television as airliners controlled by terrorists flew into the World Trade Center and the Pentagon, the American and international public at large became suddenly aware of the symbolic, political, economic and social importance of architecture."

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　-- Max Protetch

Architecture gained a new significance in the eyes of the world when New York's World Trade Center was brutally attacked on September 11, 2001, as a symbol of the freedom and commercial strength of the United States of America. Recognizing the public's new appreciation of the correlation between architecture and the culture that creates it, Max Protetch, a New York art gallery owner who is the world's preeminent dealer of architectural drawings and has represented some of architecture's finest minds, launched an artistic response to the attacks that would help New Yorkers regain their footing and envision a new future for the city.

By the end of September, as the debate began to stir over what would become of the devastated lower portion of Manhattan, Protetch had begun asking many of the world's top architects to contribute to one of the most important and provocative architecture and design shows in recent history. The result was a unique combination of proposals from a diverse group of architects that included sketches from the late Samuel Mockbee, a proposal for a multiuse, multicultural cathedral from Paolo Soleri, Daniel Libeskind's ideas for a memorial structure, and Zaha Hadid's vision for the future of high-rise architecture. A New World Trade Center is an extraordinary display of creativity in thought and design that considers the future of lower Manhattan from myriad perspectives -- serving at once as a powerful remembrance of lives lost and a catalyst to the debate on downtown Manhattan.

From Publishers Weekly

Many of these four dozen or so designs solicited by New York gallery owner Protetch may be fanciful rather than practical--from Acconci Studio's "building full of holes" ("preshot, pre-blown-out, preexploded") to Jakob + MacFarlane's "light and sensual" design of long, thin towers resembling fingers and symbolizing "peaceful aspiration"--but they bring a freedom of imagination whose need was surely demonstrated by the paucity of creativity shown in the half dozen designs for rebuilding the World Trade Center site that were unveiled recently. (On sale Sept. 3)

About Author

Max Protetch opened his first gallery in 1969 at the age of twenty-three. Since 1978 he has established himself as the world's premier dealer in architectural drawings and objects. He has shown the work of some of the most important architects of the twentieth century, including Frank Lloyd Wright, Mies van der Rohe, Louis Kahn, Aldo Rossi, and Eliel and Ero Saarinen, and premiered the work of some of the most influential figures in contemporary architecture, including Frank Gehry, Michael Graves, Zaha Hadid, John Hejduk, Rem Koolhaas, and Samuel Mockbee.

Book Dimension:

length: (cm)24 　　　 　　　　　　　　 　 width:(cm)21.2

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书籍介绍

Book Description

"As they watched on television as airliners controlled by terrorists flew into the World Trade Center and the Pentagon, the American and international public at large became suddenly aware of the symbolic, political, economic and social importance of architecture."

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　-- Max Protetch

Architecture gained a new significance in the eyes of the world when New York's World Trade Center was brutally attacked on September 11, 2001, as a symbol of the freedom and commercial strength of the United States of America. Recognizing the public's new appreciation of the correlation between architecture and the culture that creates it, Max Protetch, a New York art gallery owner who is the world's preeminent dealer of architectural drawings and has represented some of architecture's finest minds, launched an artistic response to the attacks that would help New Yorkers regain their footing and envision a new future for the city.

By the end of September, as the debate began to stir over what would become of the devastated lower portion of Manhattan, Protetch had begun asking many of the world's top architects to contribute to one of the most important and provocative architecture and design shows in recent history. The result was a unique combination of proposals from a diverse group of architects that included sketches from the late Samuel Mockbee, a proposal for a multiuse, multicultural cathedral from Paolo Soleri, Daniel Libeskind's ideas for a memorial structure, and Zaha Hadid's vision for the future of high-rise architecture. A New World Trade Center is an extraordinary display of creativity in thought and design that considers the future of lower Manhattan from myriad perspectives -- serving at once as a powerful remembrance of lives lost and a catalyst to the debate on downtown Manhattan.

From Publishers Weekly

Many of these four dozen or so designs solicited by New York gallery owner Protetch may be fanciful rather than practical--from Acconci Studio's "building full of holes" ("preshot, pre-blown-out, preexploded") to Jakob + MacFarlane's "light and sensual" design of long, thin towers resembling fingers and symbolizing "peaceful aspiration"--but they bring a freedom of imagination whose need was surely demonstrated by the paucity of creativity shown in the half dozen designs for rebuilding the World Trade Center site that were unveiled recently. (On sale Sept. 3)

About Author

Max Protetch opened his first gallery in 1969 at the age of twenty-three. Since 1978 he has established himself as the world's premier dealer in architectural drawings and objects. He has shown the work of some of the most important architects of the twentieth century, including Frank Lloyd Wright, Mies van der Rohe, Louis Kahn, Aldo Rossi, and Eliel and Ero Saarinen, and premiered the work of some of the most influential figures in contemporary architecture, including Frank Gehry, Michael Graves, Zaha Hadid, John Hejduk, Rem Koolhaas, and Samuel Mockbee.

Book Dimension:

length: (cm)24 　　　 　　　　　　　　 　 width:(cm)21.2

• 作者：这么近，那么远 发布时间：2019-10-04 14:39:52

  按需。“《性、金钱、幸福与死亡》在心理学和管理学的交叉视角下，探讨了人生的四大主题：性、金钱、幸福与死亡。人生不全是追求功名利禄，权势不过是水中花，名气不过是镜中月，财富不过是火中冰。人生真正重要的是有意义的关系、有所作为、创建意义。作者身兼数职——临床医生、心理分析师、领导力教练以及教授，他从自身工作经验出发，探讨了这些话题以及它们对工作及生活的影响，并针对管理者及其他人在这些方面所遇到的困扰给出了一些建议，让他们能够更好地面对挑战，成就更美满的人生。”

• 作者：诗 发布时间：2012-07-13 22:35:08

  有用，但是有点琐碎也不知道自己还是因为喜欢随性一点的旅行

• 作者：有方騅馬 发布时间：2023-10-19 07:36:27

  假装读过

• 作者：豆友VCwWCaFLck 发布时间：2022-07-03 13:11:29

  本书通过归纳总结狼的生存法则，并附以众多名人、企业成功事例及哲理、寓言小故事，给予个人成长、企业发展以精神借鉴。

  成事者，既需有智慧、谋略的头脑谋篇布局，又需有坚韧向前、团队协作的行为付诸行动，从为了生存自然而然形成的“狼道”精神中汲取，形成适合我们人类不断向前的“人道”法则，乃是成功之道。坚守本心，砥砺追求，为成为更好的自己不懈努力吧！

• 作者：Cesárea 发布时间：2022-09-20 23:14:45

  哈吉·穆拉特

• 作者：achipmunk 发布时间：2010-11-25 04:26:34

  这本书还是蛮有趣的， 就是用的数据有点旧。。

  应付完了考试就把书还给了图书馆。

• 铜钱龛世

  作者：即食月亮 发布时间：2021-02-07 20:02:19

  其实是4⭐半的样子 就差了一小小口气

  喜欢薛闲，大概是因为有魏无羡的影子。明明是两个截然不同的故事，由于魔道祖师看在前，广播剧又都是路知知，我生生从这个故事里看出忘羡转世的感觉。真的亲切 又安心。

  当然 薛闲是薛闲，魏婴是魏婴，蓝湛是蓝湛，玄悯是玄悯。前两人皆是潇洒恣意的性子，后两人又都克制守礼，约么就是这两种性格天生相生相克，有人话多 喜欢调侃，似乎不把一切放在眼中 却又善恶分明，有人则寡言 却又深情，顾全天下大义 又要郑重的照顾好心上人。

  真好啊。

  铜钱龛世讲的是真龙配和尚，一人一身黑衣潇洒利落，一人一身白衣纤尘不染，两人都是遗世独立的性子，却又生出了丝丝缕缕的羁绊。玄悯临终前一句话不留，抽了自己的佛骨 替了薛闲的龙骨，还为他挡了生生世世的灾祸，又让他承了自己生生世世的福泽，他为万民死，却独为一人留恋，真的，我的心超痛的。

  还好最后是圆满结局，圆满的不能再圆满，两人相携身侧，又得见故人，每个人这一世都得了福报，具是美满一生，看得我鼻子一酸，果然，只有故事才能这么完满，现实可不是这样的。

  漫漫人生，人生漫漫，在这熙熙尘世间，所求不过如此，债必偿，恩必报，诺必践，情必守。风调雨顺，山河长安。有情人终成眷属。看得人心也跟着柔软。

  可惜故事太短，犹如一豆火苗，带来的暖意也太短，我还想听真龙的传说，想看他调戏和尚，想看他和黑鸟争宠，想看他和同灯一起挤兑玄悯，想再多从故事里攫取一点温暖，以度过寒冬。

  可惜就到这里了。那就希望竹楼里的二人一鸟，安然此生吧。

• 总体还行，对翻译不太满意

  作者：shuyechengying 发布时间：2012-08-26 15:42:28

  前半部分主要讲的是基础发现，可读性和可信度较高。后半部分是复杂网络在各个领域的体现及应用吧。感觉第13章有些吹，如果复杂网络对于生命科学真有如此大的作用，我会很乐意看到这样的成果。

  第八章，复杂网络和BEC对应起来了，有点意思。

  专业词汇翻译依然是这类作品翻译的硬伤，仅列举几个：

  dynamics翻成“动能”

  fractal翻成“不规则碎片形”

  condensed matter physics成了“浓缩物质物理学”

  NP“完成”问题

  bipartite graphs “双向网络图”