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日语表达方式学习词典 内容简介
本词典共收录句型488组,每组有若干近义句型。 以会话形式引导出句型,便于掌握句型的应用语境及使用条件 每一句型配有5个例句,充分表现出每一句型的内在含义。 详尽的中文解析有助于对近义句型的辨析和全面的理解。 针对每组句型提供选择、填空练习题可直接检验学习效果。
日语表达方式学习词典 本书目录
卷首语
词典的构成与使用
正文
总索引
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书籍介绍
日语表达方式学习词典 内容简介
本词典共收录句型488组,每组有若干近义句型。 以会话形式引导出句型,便于掌握句型的应用语境及使用条件 每一句型配有5个例句,充分表现出每一句型的内在含义。 详尽的中文解析有助于对近义句型的辨析和全面的理解。 针对每组句型提供选择、填空练习题可直接检验学习效果。
日语表达方式学习词典 本书目录
卷首语
词典的构成与使用
正文
总索引
精彩短评:
作者:Don Young。 发布时间:2010-12-14 05:13:59
嗯。其实标日和人教初中英语一样有李雷和韩梅梅的情事。
作者:蛋 发布时间:2014-07-24 10:27:34
伴随大学四年的教材。与其说是教科书,倒不如说是本有趣的读物,相对于传统日语教材较呆板的例句,这本书选用了紧贴生活的内容,读来觉得妙趣横生。当时导师让背诵例句,竟然也不觉得无聊。通过它学到了不少实用的表达方式。
作者:慈父 发布时间:2013-03-08 18:11:28
很重要
作者:请给我真实 发布时间:2018-08-04 00:03:36
书评都很精彩0719 如果把文献综述写成1200页,就是这本书的感觉。一句就能引用一个,对我这个学术半吊子+社会学小白来说,读起来太难了,本来对婚姻就根本不了解,更不要说从美洲跳到欧洲到亚洲再到非洲这种穿越交织的例证,更不能了解。如果拿它当作阅读的索引来说,还是很不错的,只是不是我目前想找的,目前需要入门且有明确结论的书 0803
作者:李魅雅LiMevil 发布时间:2023-06-07 14:54:51
例句非常生动,适合背诵下来,讲解比较简单,配合语法书食用满分
作者:【RaN】 发布时间:2010-11-12 13:01:42
很好很完整
深度书评:
我有2016该原版(第二版),我的案头词典,书评源于我写的双解版
作者:LORIFIGHT 发布时间:2021-01-26 10:47:15
这是我工作的案头词典之一,我很喜欢,我的同事也经常借。作为一部
典型的美式英语学习型词典
,收录美式表达(如hazing, all over the map, dead president等)是朗文牛津等主英辅美派不曾收录的,marriage更新了同性婚姻分词条(因为美国在2015年实现全国范围同性婚姻合法化),
例句标蓝据称16万条,也是同类型同规模学习型词典之最,稍微难一点的例句还会用等号和方括号注解的形式paraphrase
(英专综英课的福音啊),这甚至可以说不只是一部词典,还是ESL学习者的强大句库啊(下文还会提到这一点)。如果一定要说缺点,嗯收词量确实少了点,如gaydar就是唯独韦氏高阶没有(可能韦氏高阶觉得这个词也不属于ESL学习范畴吧,文化色彩过浓还是?)。
但是
中国大百科全书出版社该双解词典的蓝本还没有更新到16新版
,毕竟词典的出版周期本来就很长,翻译更甚,16版多出来的例如hashtag属于推特(微博)时代特有特征的词等新内容就来不及收藏了。而且
引进版本的初期犯了很严重的编校错误
(基本全在辅文,比如出版社英文logo的publishing少了个g啊,编委会成员错字啊,前言重复段落啊等,因为本文也是出版社从业人员,对于这样的错误很敏感,这真是很严重的编校错误了,编辑校对显然掉线了,但出版社方面很快就做出改动,相信现在已经订正了),有没有类似商务印书馆、外研社的重磅宣传加成,所以可能存在感并不高,很多人知道韦氏大学(韦大红韦小红)但不一定知道这个,目前
原版于2016年才出第二版
,本身是韦氏的试水之作,看看能走多远吧。
例句在双解版说是真实语境(打了擦边球,毕竟牛津朗文柯林斯剑桥学习词典都敢标榜例句取自语料库),名人作序则直接用了语料库这个词,其实看原版序就知道并不是,原版的解释是,
绝大部分例句其实是made-up的,也就是编者根据真实语境精心编写的,一小部分来源于文学作品
。所以韦氏高阶的例句其实就像英语老师的教案一样,是为了充分考虑到学习者的水平而仔细控制例句难度的(何况还有paraphrase),比起语料库直接选用有生词嵌套的缺点,这个就显得好坏均有,但是显然是很照顾英语的初中级学者的,即便高级学者做教研也是很有帮助。
总而言之,既然成了我的案头词典,它的闪光点是很明显的,我愿意推荐,但韦氏高阶(原版&双解)还有很长一段路要走,提升的空间还很大,希望再版顺利。
An interview (complete version)
作者:momo 发布时间:2016-12-24 22:49:47
1.This cute book consists of mainly two parts, troubles and novels, which leads to a chicken-or-the-egg question: which catalog came first? And since both of them are really infinite, what made you finally stop at number 751 and call it a book?
We began by making a list of ailments that we thought would be fun/challenging/entertaining/ possible to cure with literature. Then we wrote a list of all the novels that we had found to have been transformative in our own lives, and looked to see which novel could cure which ailment. Mostly it was very clear to us what a novel could ‘cure’ – such as Jane Eyre for a broken heart, and Don Quixote for lethargy. But sometimes we had to hunt a cure down, and that led us to novels we hadn’t read before. ‘Fear of death’, for instance, led us to the wonderful ‘White Noise’ by Don Delillo. Some novels, such as Anna Karenina, could have cured dozens of ailments – from jealousy and madness to divorce – because there’s so much of life in there. Perhaps ironically, we ended up using it for ‘Toothache’ (it’s pretty good on that, though!).
Actually we didn’t stop at 751- we had about double that number of ailments and cures to begin with, and wrote most of them, too. We were just having such fun writing them, we didn’t want to stop! Our editor forced us to cut the book down – we had to make it a size that someone could pick up and read without feeling overwhelmed. At least we have enough for a second edition!
2.Did you actually read all the novels in the book? Can you tell us some personal cases that novel actually cures?
Yes we did read all the novels in the book! The novels we included offer a pretty good snapshot of the bookshelves in each of our homes. These are books we have loved, and kept, and go back to. We both listen to a lot of audiobooks in order to keep up with what’s being published, these days, too. Audiobooks are a great way to drip-feed in a book when free time is scarce, as it seems to be for most people these days.
Ella: I can tell you from experience that Zorba the Greek does cure exhaustion. Many is the time that I have been nodding off at my desk, and have picked up Kazantzakis’ novel and read the passage in which Zorba dances through his exhaustion after having been awake for two days. This inspires me to dance wildly around the room for a few minutes, then return to my desk newly invigorated. In fact, I did it just now to wake myself up…
I also often use Roxana by Daniel Defoe as a spur to make myself throw a party. Sometimes I realise that I have become lazy about entertaining, and have not had any friends around for some time. Then I pick up Roxana and remind myself how much fun it is to have guests around… next thing is I’m trying on party clothes, making a guest list, making sure I’ve got wine in the house...
Susan: I suffer from procrastination and found The Remains of the Day a really effective cure. The main character is a butler – very stiff and formal and buttoned-up, who keeps putting off the moment of showing his feelings for the head maid, even though she would clearly welcome his interest. By the time he realises what he feels for her – what he’s always felt for her – she of course has long been married to somebody else, and it’s all too late. It’s terribly sad – and it makes you realise that the reason we put things off is not because we can’t do them, but because of the negative emotions that we’ve attached to them: fear of failure, fear of rejection, fear of being vulnerable. Once you understand that it’s just fear that’s in the way, rather than the thing itself, it’s easier to push the negative emotions aside and see the thing for what it is.
I’m also a novelist and I use our cure for writer’s block (I Capture the Castle by Dodie Smith) whenever I’ve got out of the practice of writing fiction. It works every time!
The first few pages of Mrs Dalloway are also a wonderful, rousing way to help you get up in the morning in winter in England… and I love reading The Old Man and the Sea whenever I’m feeling stressed - first the rhythm slows you down, and then the story reminds you that the important things in life take time, and patience, and attention.
3.This book certainly is a good recommending list and also an enjoyable read per se, for college students (or “intellectual youth”) especially, which reminds me of a joke from the film Liberal Arts(2012): a dude felt lonely and refused the recommendation of reading Infinite Jest (allegedly contains everything to do with loneliness) and said if he were to spend the time reading the brick he'd be doomed to be more lonely! The paradox of reading is always there since reading is not the same as living. How do you think about that?
Ella: That is a very good point that you make - particularly in relation to Infinite Jest. The tendency to read instead of live is one that all bookish people experience at times, and must wean themselves off in order to have a successful life. We have a section curing this problem in one of our ‘reading ailments’, called Read instead of Live, tendency to. We recommend that you check yourself regularly, and if you find that you are reading more than you are living, you need to take stock. Put some of your reading experiences into your life - take a trip on a camel, like Aunt Dot in the Towers of Trezibond. Go and see a friend instead of posting them a letter, like Harold Fry in the Unlikely Pilgrimage of Harold Fry. Follow your dream, like Priscilla in Jitterbug Perfume. Reading should inspire you to live more fully, not less. A simple rule is to make sure that reading doesn’t take up more than 50% of your time...
Suse: I would argue that reading plunges us deeper into life, and enables us to make connections with other lives – and to live more lives than just our own – in a way that we couldn’t hope to do in normal life. Italo Calvino’s ‘If on a Winter’s Night a Traveller’ is a good reminder that books link you to other readers – all the other people who have read the book you’ve just read have known what you’re experiencing – you have an immediate bond with them! What a thing to share with other people – people you’ve never met! And they also link you, in magical time- and continent-travelling ways, to the author. Novels are a unique art form in that they offer an intense one-on-one relationship with the author who, if he or she is being really honest and delving deep, will be exploring the sort of emotional and spiritual territory which doesn’t necessarily come up in day-to-day conversation – subtle things about the experience of being a human being in the world today. I like to think that if you spend a month reading War and Peace, you’ve basically spent a month hanging out night after night with Tolstoy, drinking vodka, comparing your views on people and how they respond to life, and putting the world to rights!
4. Is it good for novelists, who are supposed to permit ambiguity instead of being direct and clear, when writing, to have a goal of curing readers? Will that make one bad novelist?
Suse: I don’t think any good novelist starts out with the aim of ‘curing’ a reader – or even of sending them a ‘message’. When I wrote my two novels, I certainly didn’t think about whether I could help a reader stop smoking, or biting their nails, or get on better with their mother-in-law. In fact, helping the reader in any way was the last thing on my mind. I wanted to write about my own experience of being alive – and represent what I noticed, experienced, imagined, through my characters. But I think that if a writer manages to capture something true about the human experience, then that will ring bells for other people too. We are not so very different from each other, really. We all go through the same phases in life – and age in similar ways. I find it really wonderful that I have so much in common with writers from other countries, and other eras - that they notice things about people that make me go ‘yes, I know people like that!’
Both: We love novels that surprise the writer as much as the reader in their final form. Many writers will say that their characters took them over and led them in a totally different direction at some point during the writing. We suspect that Thomas Mann had no idea where The Magic Mountain might take him, and that Virginia Woolf was led by the hand by Mrs Dalloway, rather than the other way round. Perhaps their intentions may have been echoed in the finished product, but a lot more that they didn’t expect, besides. Moby Dick, for instance, began as a marine adventure, but by the end it’s a philosophical masterpiece.
Most of our cures offer solace by showing you you’re not the only one who has suffered in this way, or found themselves in this situation. Some of our cures offer a practical solution – such as our cures for obesity (Muriel Spark’s A Far Cry from Kensington, and Pereira Maintains by Antonio Tabbuchi). But those solutions are in there by chance, not delivered up by the author intentionally. Novels cure by accident, not by design. It’s our job as bibliotherapists to identify which novels make the best cures for which ailments.
5. Self-help books as well as the so called chicken soups for the soul are immensely popular these days, surely more popular than most novels. Nowadays when people want to find a role model or a story to learn from they are more likely to turn to real people/events(or so they think). So what do you think in the end is the magic of fiction?
Suse: We started giving novels to each other during the Nineties, when self-help books were enjoying a boom in the UK. I remember reading one called Feel the Fear and Do it Anyway by Susan Jeffers, which was a huge seller at the time. It was pretty good - encouraging people to do what it said on the cover. But then I picked up To Kill a Mocking Bird by Harper Lee, and realised that this was an enactment – a dramatisation - of the very same exhortation. Atticus Finch ‘feels the fear and does it anyway’ when he shoots the rabid dog in the street where his children are playing: he has one shot, and his hand is shaking when he raises the gun to his eye, and he does it. And of course he is ‘feeling the fear and doing it anyway’ when he stands up for the young black man accused of rape, standing against an entire community intent on finding the man guilty. I don’t remember anything about Susan Jeffers’s book now except for the title; but I’ll never forget Atticus Finch and his courage. We still use this as our ‘cure’ for not feeling brave. It’s impossible to read it and not feel like his courage has rubbed off on you – that you, too, would have the courage to stand up for what you believe if you were called upon to today.
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