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曲雯所著的《学术编辑视角下的女性文化研究》从编辑工作的角度切入女性文化研究，重点是从学术编辑作品(女性学刊)、学术编辑活动、学术编辑者角度与女性研究的互动关系进行了论述，认为女性研究编辑应该“学者化”，女性研究的学者型编辑至少要成为女性学和编辑学的复合型人才；并提出了编辑研究的重点，应包括女性学发展史、女性研究有关领域和某阶段的整体、女性研究评价标准和方法、女性研究出版、女性研究编辑规律等内容。同时，展示了学术编辑对女性学术专著、女性教育、性别政策、和谐社会建构等方面的性别研究成果，并以此参与女性文化建设。《学术编辑视角下的女性文化研究》不仅展现了一名编辑的学术化历程和对女性文化的思索，也是对女性编辑文化建设的呼唤。

女性学刊编辑与出版 女性学刊的概念及其发展 女性学刊与女性研究的互动关系 女性研究编辑活动及编辑素养需求 《妇女研究》刊物考析 妇女学术刊物的生存与发展 女性学刊、的发展与创造力开发 编辑学研究领域性别意识的缺失与建构 《中国妇女研究年鉴》编辑的几个问题 发挥年鉴为妇女发展服务的作用 性别解读中的女性的创见 读《e时代的女性——中外比较研究》 评《中外女企业家发展问题研究》性别平等理论与实际工作 对男女平等基本国策的理解 实施男女平等基本国策的举措与成效 中国男女平等进程中的问题与对策 性别平等与和谐社会体系建构 构建消除家庭暴力的社会机制 妇联在承担政府推进性别平等职能中的作用 妇联组织的决策能力女性教育及其他 高层次女性人才成因 城市女性经济发展对成人教育的需求 扫盲教材中职业性别观念 女学生性别教育的研究 女性股民证券投资特征 全球化对中国女性股民的影响女性学术研究信息 中国妇女研究十年简述 北京妇女理论研究信息交流会 促进21世纪妇女学科建设 “北京+10”论坛附录 研究项目 主要文章索引

     曲雯全国妇联妇女研究所编审，曾任编辑室副主任。1947年生，1982年毕业于青海师范大学中文系，1984年调入北京市妇联，1992年调入全国妇联妇女研究所。曾兼任中国人力资源开发研究会女性人才研究会理事等。是中国首家妇女研究刊物《妇女研究》和中国妇女研究会会刊《妇女研究论丛》的主要创办者之一，参与主编《中国妇女研究年鉴》《中国妇女理论研究十年(1981—1990)》《半个世纪的妇女发展——中国妇女五十年理论研讨会论文集》等学术著作。主要参与的女性研究项目有：全国教育科学“九五”规划课题“城市妇女教育问题及对策研究”、美国福特基金会资助课题“对中国幼儿园、中、小学及成人扫盲教材的性别分析研究”和2006年国家社科基金项目“性别平等与和谐社会建设理论与实践研究”等。撰写的论文多次被转载和收入有关论著。作品曾获得全国妇女报刊好作品一等奖、中国妇女研究成果二等奖、第四届全国年鉴编辑出版奖、全国年鉴编校质量一等奖等。

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    曲雯所著的《学术编辑视角下的女性文化研究》从编辑工作的角度切入女性文化研究，重点是从学术编辑作品(女性学刊)、学术编辑活动、学术编辑者角度与女性研究的互动关系进行了论述。本书可供初涉女性研究的编辑及女性研究者参考。

书籍介绍

本书从编辑工作的角度切入女性文化研究，重点是从学术编辑作品（女性学刊）、学术编辑活动、学术编辑者角度与女性研究的互动关系进行了论述，认为女性研究编辑应该“学者化”，女性研究的学者型编辑至少要成为女性学和编辑学的复合型人才；并提出了编辑研究的重点，应包括女性学发展史、女性研究有关领域和某阶段的整体、女性研究评价标准和方法、女性研究出版、女性研究编辑规律等内容。同时，展示了学术编辑对女性学术专著、女性教育、性别政策、和谐社会建构等方面的性别研究成果，并以此参与女性文化建设。不仅展现了一名编辑的学术化历程和对女性文化的思索，也是对女性编辑文化建设的呼唤。

• 作者：天然卷都是好人 发布时间：2023-07-27 09:13:09

  【蔬菜】不挑食绘本

• 作者：luckrenee 发布时间：2012-06-29 19:15:39

  补补历史知识。

• 作者：VIVIMI 发布时间：2022-03-09 16:32:57

  文字和水彩都很温柔。看故事开始前写到，这本书是献给大概是照料过他的医生和护士的。

• 作者：懒风 发布时间：2019-09-24 15:45:11

• 作者：VeraTulips 发布时间：2013-11-24 00:47:29

  不喜欢这个风格，绘画过于写实粗糙，感觉像小学时候画的钢笔画。

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  220220N0168南京高科荣境

• To be sensible Or To be sensitive

  作者：蒜子 发布时间：2013-11-10 13:29:42

  It is a truth universally acknowledged ,that anyone existing in the world will be caught in an ineluctable dilemma, where you hesitate in the face of sense and sensibility. Actually, whenever l meets such crossroads, l naturally think of Jane Austen, an outstanding writer of British, whose masterpieces partake of the aesthetic cross-currents ahead of her time. As she created Elinor and Marianne, she might have never regarded them prominent and imperishable. However, the characters of these two sisters have made a glorious impression on generations after generations; their ineffable mental world has become an inexhaustible resource to lead us from intersections.

  The story mainly concerns two sisters, Elinor and Marianne Dashwood. Along with their mother and younger sister Margaret, they are left impoverished after the death of their father, and the family is forced to move to a country cottage offered by a generous relative. Elinor privately forms an attachment to the gentle and courteous Edward Ferrars, unaware that he is already secretly engaged. After their move, Marianne meets Willoughby, a dashing young man who leads her into undisciplined behavior, so that she ignores the faithful but mature Colonel Brandon. The contrast between two sisters' characters is eventually resolved as both find out their Mr. Right and everlasting idyll.

  Elinor, the eldest daughter, whose advice is so effectual, possesses a strength of understanding, and coolness of judgment, which qualifies her, though only nineteen, to be very mature for her age. When her father died, she behaves really like a true woman, swallow tears inside, losing girlish temper, but carry on the burden of life and strive to rouse her mother to similar forbearance. Luckily she meets Edward, a sensible man with integrity and delicacy. But she still exerts her affection and stays imperturbable, though Marianne bursts forth with indignation:” Esteem him! Like him! Cold-hearted Elinor!” After their moving home, Marianne falls in love with Willoughby. Among all their surrounding acquaintance, Elinor is the only sightful person to impugn his integrity, and to doubt whether they have got engaged even when no one suspects it. After knowing Willoughby’s innermost ethos, she thinks it time and again, and overdoes comforting her pure sister. Subsequently life gives her another horrific pang — her admiring Edward has engaged secretly. It seems nothing can save her sinking heart now. Facing Lucy’s fake emotion, what should she do? Can she feel herself in danger of a hysterical fit or a swoon? Or can she insult Lucy because she is a fickle hypocrite who destroys her idyll? No, Elinor stays sensible. She forgives Lucy, Edward and anyone ever hurt her mind. Unlike Marianne, she never tells anyone about her broken heart, instead, she imparts great patience and elegance. No wonder she can’t hold herself back the moment she learns great changes from Edward, and burst into ceaseless tears of joy. After all, she is simply a woman, a sensible lady with sensitive emotion, a seraphic girl who appears strong but yearns for love and care inside.

  Marianne, sensitive and ill-concealed, can’t have any moderation. She is monstrously pretty, highbrow and ethereal: she is everything but prudent. As a girl of 17, she has potent enough sensibility to make sure “the more I know the world, the more I am convinced that I shall never see a man whom l can really love.” And many are the tears shed by her in her last adieus to their residence so much beloved. Ironically, after meeting Willoughby, she falls head over heels in love with him forthwith and they read, dance, even tour together. Such conduct makes them of course most exceedingly laughed at; but ridicule can not shame, and seems hardly to provoke them. With minutes ticking away, Marianne’s love affair grows torrid and incandescent but Willoughby’s is on the contrary. Having perceived him at a party, Marianne can’t help pronouncing his name in a tone of affection and instantly glinting her emotion in public. Being hurt by his inexcusable guilt, she is entirely lost in sobs but is so stubborn that she tries all means to make excuses for his inconstant affair. Eventually , poor Marianne , languid and low from the nature of her malady , and feeling herself universally ill , can no longer hope that tomorrow will find her recovered . Thanks to this putrid tendency, a sensitive Marianne sleeps forever, and lives a sensible female.

  Having finished reading the last word of Sense and Sensibility, I softly sigh in the darkness. After experiencing the narrow path zigzagging up the immutable love, both Elinor and Marianne find out Mr. Right whom they belong to. But which character should I choose? To be sensible or to be sensitive?

  I think Elinor ought to gain more understanding and sympathy. No matter in novel or in reality, Elinors actually suffer more burdens than Mariannes, as well as solitude. It’s impossible to read anything from their smooth appearance, thus we think their tough appearance means their tough spirits for granted. However, it turns out to be wrong when Elinor receives sudden proposing marriage from Edward and bursts into crying. At that time, Elinor is another Marianne, fragile and ingenuous. She badly needs love but never speaks it out. Perhaps it’s because she is the eldest sister in the family, she can’t count on any help from her sisters or mother. So when Marianne sheds for falling leaves, she has to pay attention to the cost of living. I always believe that under Elinor’s fortitude surface lives a beating heart. She only hides her passion for life and devotion to love, thus duty is the very thing she cares for. When hurt by love, she endures it alone, unlike Marianne yearning for everyone’s focus. When realized Lucy’s skullduggery, she still tolerates it for the sake of her Edward. Because of her sense, she has to sacrifice her passion and her unlimited girlhood.

  As for Marianne , she abhors all concealment where no real disgrace can attend unreserved ; and to aim at the restraint of sentiments which are not in themselves illaudable , appeared to her not merely an unnecessary effort , but a disgraceful subjection of reason to common-place and mistaken notions . In sacrificing general politeness to the enjoyment of undivided attention where her heart is engaged, and in slighting too easily the forms of worldly propriety, she displays a want of caution which Elinor can not approve. She , who has never much toleration for anything like impertinence , vulgarity , inferiority of parts , or even difference of taste from her spirits , to be pleased with the Miss Steeles . Such openness, such sincerity! Though substantially hating the dark side of morality, Marianne is condemned by such event and is nearly led to the grave. She innocently thinks she can live independently from the circumstance; actually she has been gradually changed by the circumstance. At the end of the story, Marianne submits to her sister’s sense as she firmly rejected initially, and accepts plain-featured Colonel Brandon. Does it mean she eventually grows up, or she is a victim of circumstance? Because of her sensibilities, she has to go through vicissitudes and abandon her romantic opinions towards life, and ultimately becomes intellectual, instead of falling a sacrifice to an irresistible passion as once fondly flattered herself with expecting.

  To be sensible or to be sensitive? The genius of Jane Austen lies in this thought-provoking ideology, one that reflects the wisdom of living. As Jane herself explained :”With strong affection it’s impossible , with calm ones it can have no merit “ , so no matter to be sensible or to be sensitive , we all have to sacrifice something . Maybe we will be forced to have a good head on your shoulders in this bitter process, maybe we will cultivate an air of sophistication, or maybe we lose our nature qualities to satisfy the society. But who knows? Probably our life should display a perfect fusion of sense and sensibility. That’s why I equally love Elinor and Marianne. They represent two sides of the personality, but both combine to a perfect morality. So it’s not necessary to argue whether sense is premier or not. I still remember a saying from William Butler Yeats:" In life courtesy and self-possession are the sensible impressions of the free mind, for both arise from never being swept away, whatever the emotion , into confusion or dullness?” Just like the novel undertoned, sense and sensibility are two sisters, they can’t live alone, but at most time, what we should do is more akin to empower our emotion than become emotionally involved.

  People at home and abroad always admire the way British behave. For example, when Princess Dianna met a car accident, Queen Elizabeth bravely held in her feelings and treated it calmly with dignity. To each individual, sense similarly plays the main role. Take a liberty to deliberate on how to adjust your impulsion instead of running in circles. Is what you do an engagement of your heart? Are you constantly reading and answering messages or checking on the latest stream of information? Are you always rushing through your schedule? Then be that vision. Value the sense. It’s a treasure and it’s available to us, always.

  In the end, by some freak of fate people extravagant or good-natured all have a happy ending. We don’t know whether the virtue will pay off while the wickedness will receive its revenge. However, it shows reality, that life is complicated full of unknown miseries. Jane Austen sets us a perfect balance between sense and sensibility, between moral duty and earthly pleasure, between obligation to the spirit and attention to the incredible beauty. As we think further and further , Margaret , the youngest sister in the family , has reached an age highly suitable for dancing and it’s not very ineligible for being supposed to have a lover . What a titanic choice will she make between sense and sensibility? Only your heart will tell.

• 森林秘境·神秘桃花源

  作者：以读攻独 发布时间：2021-12-19 17:10:06

  如果你相信奇迹，就会有更多的可能去发现和创造奇迹。

  如果你相信墨多多，你的童年就再也不会寂寞了！他可是问题多多，会有无穷无尽的脑洞，无穷无尽的思维冒险之旅……

  《墨多多谜境冒险8·秘境森林》是又一次奇幻之旅，这次是从一场开心的森林夏令营开始。同样，墨多多带着他的狗老大查理九世和小伙伴们，又一次收获了一次奇妙的冒险旅程。在大森林里，大家玩得很开心，捡树枝做游戏。可是回程的时候，许多同学都失踪了，等搜寻到他们的时候，他们个个都得了一种怪病。这事就闹大了，必须解决这片黑森林的秘密了。没问题，任务交给我们的墨多多大探险家，他带领着狗查理和小伙伴们，开始查询大森林的线索。

  

  原来，转绕这片森林，有着许多神秘传说。

  随着墨多多和小伙伴们在大森林里探险之旅的深入调查，发现这片森林很古老也非常漂亮。 沿路探索，小伙伴们竟误入桃源乡，这里美果飘香，让人不禁忘却所有烦忧。 而真正的大疑点，真正的问题之源，则是那个让人为之疯狂的宝贝——甘木。传说中甘木可以让人忘却烦恼，对许多人很着巨大的诱惑，而一旦为之垂涎，则引祸上身。这体现了人性中贪婪的一面，作者用很神奇的故事，借助甘木这个起源点，用近乎神话的情节，启发小伙伴们，要收起人性中阴暗的一面，真实面对内心的声音和对世界一切事物友好的一面。大森林之所以要惩罚大家，是因为许多人为择手段，甚至挺而走险，为了在甘木这个大宝贝上获取无穷无尽的财富，动了太多的歪脑筋，最终要承受应有的代价。

  

  人性中关于欲望与成长的问题，很能引发小朋友们去思考。

  如果贪婪蒙蔽了大家的双眼，则一切美好的东西都将沦为黑暗杀手。

  美好的大森林，原来也有另一面。智慧而高级的人类，也有很多不为人知的秘密。墨多多和小伙伴们通过这次的森林探险，收获了很多新成长。比如大家团结起来才能克服大困难；比如面对财富诱惑和很多人性层面的挑战的时候，要如何走出内心的魔障，做出最正确的选择。

  更重要的是，《墨多多谜境冒险8·秘境森林》带来了很具现实意义的结果，作者用很真实的教训和结局，令小朋友们不得不去面对，许多不正确行为的背后，必然存在的惨痛代价。

  森林秘境，神秘桃花源。不禁令我们想起学过的文章《桃花源记》。曾经有人说过，完美的桃花源并不是消失不见了，它的确真正的存在过。那么它在哪里呢？它藏在每个伟大母亲的子宫里，就是很个新生命孕育的地方。在那个地方，它们被母体完美的照顾着，无忧无虑，是为桃花源。