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• 作者：山丘 发布时间：2023-07-05 18:44:13

  配置还是挺详细的

• 作者：Y 发布时间：2021-12-25 20:15:34

  1

• 作者：后浪 发布时间：2016-05-24 11:14:01

  英国海滨城市布莱顿城中部，住着一位神出鬼没却十分高产的涂鸦艺术家。他同时也是英国著名设计工作室MEGAMUNDEN的创始人。

  他在墙壁、广告牌、杂志、手办甚至皮肤等载体上留下了大量作品。对他而言，无论是为大公司做的商业设计，还是为顾客私人定制的精美文身图案，从为纽约豪宅画的天顶壁画，再到为当地商铺的临街墙面进行涂鸦，题材的转变只是变换了不同的画布而已。

  他的设计元素中出现过复古溜冰艺术、幻想艺术，以及自然元素还有远东艺术的精华。

  如同MEGAMUNDEN这个签名一样，像一个文化风格的熔炉。但总而言之，梅加姆登最钟爱的是文身艺术以及文化相关的主题。

  因此，这让他拥有了来自全世界的设计邀约，最后这些精华汇聚在一起，成就了本书。

• 作者：二止 发布时间：2023-10-24 12:36:22

  断断续续看了三个多月，记住了一些，忘记了一些。本来是出于研究宋史的需要来看《周礼》的，毕竟这是宋代读书人脑子里很重要的知识结构之一，只有存在近似，才能同情理解。收获很多，只列举一个。王安石说一部《周礼》，理财居其半，这是因为《周礼》中天官冢宰以及地官司徒所占的篇幅较大。而宋人批评王安石变法，说其只取《周礼》之小小者，这个说法也有依据。因为王安石所说的“理财”其实是“民政”，只不过是王安石独独注意到了它的“理财”性，而于这些“理财法”中，又独独偏重于叙于中位的泉府集财于上之法。所以才有了这个“大大小小”的矛盾。

• 作者：ipanema 发布时间：2015-04-24 14:17:15

  前半部的回忆比后半部的故事好

• 作者：缓之 发布时间：2023-03-27 14:14:35

  怀人文情真意切

• 别为了书名而买书

  作者：Destiny walker 发布时间：2020-03-13 12:20:31

  先放在前头，如果你是为了书名而买的这本书，我建议您别买了。

  首先，序章还是很符合自己设定的标题：不阅读，难以在社会中更好的生活。就是讲20世纪的日本是需要得出正确答案的人才，21世纪需要的是有发散性思维的人才、然后再举出诸多读书的好处的例子说明：幸福的生活建立于阅读之上。

  接下来，你就别管它的标题了从p22开始就是通篇讲述结合自己的经历，怎么开始接触阅读，用实例解释阅读的好处，关于读书，这本书什么都教了，就是没有教你如何有效阅读，甚至没有教你如何阅读。

  所以如果你有想法买这本书，建议你省下这笔钱，去买别的书，既节省了金钱，又不浪费时间。

• Scott Bower：All about the context

  作者：鼋鸣鳖至/来去无踪@我叫刘亚玲 发布时间：2009-07-19 11:10:00

  All about the context, August 6, 2006

  By Scott Bower - See all my reviews

  I found this book to be very illuminating in light of what I do (interaction design) and the books I have read recently on the latest in computational neuroeconomics, maninstream pattern recognotion theory, interaction design, visual design, industrial design, computer engineering, new marketing theory, and information design around complex systems. In fact, this book is almost a stake in the ground on how the manufacturing process, invention, and branding created the artifacts in our environment. Better than the Industrial Desig books I read 10 years ago. I think we would call these "case studies" and "use cases" in modern terminology. I mention all the fields above because every single one of them have an exact doppelganger in the past.

  This book is a brilliant look at process and can be used as a research tool when looking at why something like the iPod caught on and why almost everything that has been developed at MIT in recent history (except eInk) has never gained a foothold in popular American culture. In the face of the rise of "everyware" computing, it's adoption in places like Korea and Japan, and only limited use by the rich for personal security in the US, I would say this is a must read for contemporary designers, no matter what depth of complexity their task at hand. This book predates the web, making it very enlightening in light of user-centered design in recent years.

  This book looks at the relationship of genius design, corporate R+D, pop culture, the feedback loop for product innovation, and the adoption of standards around SIMPLE things. This means these case studies can be used to analyse the failures (and how failure breeds innovation, not "form follows function") of our complex information economy and embedded systems. Society has gone through it all before. And as projects become increasingly team based and open sourced (like Stanford's new d.school), just about anyone can find value in this book based within this context.

  http://www.amazon.com/Evolution-Useful-Things-Artifacts-Zippers-Came/product-reviews/0679740392/ref=cm_cr_pr_link_1?ie=UTF8&showViewpoints=0&sortBy=bySubmissionDateDescending