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• 作者：kylegun 发布时间：2018-11-27 20:35:59

  七分钟，五分钟，三分钟，错过了的时间再无法缩短，《向左走向右走》的故事倒过来说，变成了《忽远忽近》

• 作者：慕宫仪 发布时间：2020-02-01 12:06:53

  神母的形象感觉是照搬了笑傲江湖任盈盈，马荣成把骆仙画的是真美。铁狮男的复仇，是在狮王堡和铁狮男二者尊严间的抉择，可悲的是他个人的尊严没人懂，而狮王堡的尊严在天门的逼迫直线显得有是那样的可笑，可悲，可叹！

• 作者：榴莲妹 发布时间：2015-06-29 22:14:59

  对于生活、疾病和死神的态度。

• 作者：BOOKWORM 发布时间：2018-08-05 23:27:14

  杭州钟书阁

• 作者：璩白秋弋瞳 发布时间：2023-10-24 16:42:38

  副标题才是真正的标题。本书梳理了从罗马建城到现代的地图及制图历史，将地形图、古典时代城区图、朝圣地图、文艺复兴时期的绘图、启蒙时代制图学、大众旅行指南地图和当代地图逐一展示在读者面前，并配上详尽而精妙的解读（对历史线索本身的解读则较为寻常）。罗马是一座四维的城市，要将她压缩在二维里，不同的绘图师势必会采取不同的截面，而他们如何选择视角、以及他们如何将眼中的罗马城“调整”到需要的视角，本书未曾明言。但读者从纷繁的图像中，应能得到自己的答案。8.8。

• 作者：汐和 发布时间：2011-10-09 16:47:26

  顺便说5我也读完了。

• 回到传统园林的原点

  作者：老古 发布时间：2012-01-17 02:11:23

  陈从周先生的《说园》在大学时代多次阅读，再次阅读倍感亲切，其中关于造园的理论和审美如静观、动观、叠山理水、建筑栽植、园林艺术等深深影响了我们那个时代的初学者，对我们那一代人的设计观的形成有极大的帮助。“园有静观、动观之分”、“山与水的关系究竟如何？简言之，模山范水。山贵有脉，水贵有源，脉源贯通，全园生动”、“中国园林的树木栽植，不仅为了绿化，且要有画意，能入画”、“中国园林妙在含蓄，一山一石耐人寻味”等话语常在老师和同学之间流转并渐渐形成一种习惯，虽然比较“空灵”而难以把握，但在中国古典园林审美思维层面是起到了艺术启蒙的作用，特别是到古典园林中游览的时候这些观念自然而然就会在脑海里浮现。

  陈先生认为一个设计师首先要能品园方能造园，只有眼高了才能手高，通篇《说园》皆从园林审美情趣入手，对于“曲直”“动静”“大小”等有比较清晰的阐述，并指出造园之道在于“悟”，且认为有不少人干了一辈子的园林也不懂得这个道理。显然，在陈先生的心目中，审美素养是设计内核，要尽早培养。今晚，与同事聊天，提到某学生是目前他心目中最有设计发展潜力的学生，在我看来，是因为她的感觉好，在本科阶段也许她还不能抓住某些设计的感觉，但经过研究生阶段的训练，形成了比较成熟的设计思维能力，若再加以项目实践定能逐渐找到她的设计感觉与设计技巧间的通道。个人认为，关于设计的感觉是无法通过老师来传授的，唯有通过自我的修炼才能达到。很遗憾，当下的教育已渐渐忽视了美的培育，尤其古典美的价值观被多元的后现代主义取代后更少有学生能够在提高审美情趣方面下苦功夫。现实情况也是如此，就业、考研压力如此之大，这种缓慢的学习途径已很难让人坚持下去。

  在设计方法上强调人的视角，园林游赏有动态的、静态的、仰视的、俯视的、文化的等不同的层面，始终强调的是人的层面。在上个世纪末中国园林已世界园林接轨后，最大的改变就是设计方法的改变，在拓展设计方法和手段的同时，也带来了一些问题，表现最为突出的就是很多新建园林在视觉、景观上是强化了，但忽视了人的需求和感受，没有多少的游玩价值和审美意义。

  在设计态度上，陈先生认为：造园时，如能利用天然的地形再加人工的设计配合，这样不但节约了人工物力，并且利于景物的安排，造园学上称为“因地制宜”。当园林被附加了过多的权力、资本的因素外，在实际操作中已很难坚守这一原则。当下，在新城建设中都喜欢挖一大湖，均想利用湖面景观提高周边土地的价值，但有些项目不顾场地的实际条件非得在一些山城开挖面积类似或接近西湖规模的人工湖，抛开水利因素这种不顾场地实际条件的设计态度很是令人担忧。

  风景园林的从初期的盲目引进、简单模仿，到摸索概念与形式创新，到现代中式景观设计创作兴起已走过将近10年，如今有必要回头从传统中寻找设计源泉再创中国风景园林新的高峰。从这个角度看，很有必要好好的阅读此书。

• An Epic Story

  作者：庄常飞 发布时间：2011-05-18 23:13:35

  I have been watching the TV show Mad Men for four seasons. The show has been uneven and at times cliché, but not without poignant moments. One thing that stuck with me wasn’t even a major plot point or regarding the main character Don Draper. It was a story told about Pete Campbell, a person born into a prominent New York family but did not inherit much wealth. One of the characters (I do not remember which one) explained that Pete’s grandfather had much wealth before the Great Depression, but he, like many others, panicked and sold all of his real estate holdings in Manhattan. Needless to say, the move didn’t pan out too well for him or for Pete. The character quipped that Pete’s grandfather lacked faith in America, a cardinal sin that cannot go unpunished.

  For some reason, I have always remembered this anecdote, and it was awoken by the great Warren Buffett, when wrote a New York Times piece during the Great Depression of our era and called for people to have confidence in the great country of the United States at the precise time when confidence was nowhere to be found. Buffett professes that the time is dire, but he was personally buying stocks, because he believed in America, a country that served two World Wars, a Great Depression, as well as numerous smaller wars and panics to become the prominent economic powerhouse in the world. By being on the polar opposite of Pete’s grandfather, Buffett was proven to be worthy of the name “Oracle of Omaha” as the U.S. economy made a ferocious come back from the brink of disaster.

  These stories were not included in John Gordon’s book, which was published before Mad Men debuted and before the Great Recession appeared. Yet the moral of the stories and the book remain the same: having faith in America pays.

  Nothing was foretold about America’s rise. The country was deemed unlikely to survive as an independent republic even by many of its founders. While the likes of Alexander Hamilton recognized America’s vast potential, there were simply too many things that could go wrong.

  If we were to look at experiences of other countries, such worries become instantly justified. Latin America, a continent blessed with more natural resources than the continent the United States was to occupy, never rose to the occasion and fell apart numerous times.

  America, however, avoided all traps. Numerous disasters struck even before the eventful twentieth century, as America engaged in a premature war with the world’s greatest power Great Britain, only to become a house divided in the tremendously costly Civil War. Besides political turmoil, America’s economic rise was also far from pre-ordained, as the country was hit with one panic after another.

  Yet somehow, America always picked itself up, and always came back stronger and more vigorous than ever, and this element is what makes the American story so fascinating. Just like Gordon described in his sub-title, America’s rise from a colony to superpower is truly an “Epic History of American Economic Power”.