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A 528-page monograph presenting for the first time twenty years of works by M/M (Paris), one of the most emblematic and influential design practices and art partnerships of the twenty-first century. Michael Amzalag and Mathias Augustyniak originally established M/M (Paris) as a graphic design studio in 1992. Their close associations with the music, fashion and art worldshave led to their becoming one of the most distinctive and acclaimed creative voices of their generation, within graphic design and beyond. Published to mark their twentieth anniversary, this is the definitive monograph. It records hundreds of their mind-blowing projects, each represented in illustrations and photographs and arranged alphabetically from 'M' to 'M'. While print, drawing, photography and an unconventional approach to typography lie at the heart of M/M's work, they have also produced films, objects or interiors. 'Our work is about expressing the idea of a dialogue. We transfer elements from fashion to music to art and back again, and keep using different mediums,' they explain. Each work they produce is unique, but certain elements recur and reverberate - leitmotifs that draw their output, despite its range, into a unified whole. The monograph features collaborations with the finest from a spectrum of creative worlds, including fashion works with the likes of Balenciaga, Calvin Klein, Stella McCartney, Marc Jacobs and Yohji Yamamoto; music works with Benjamin Biolay, Bjork, Kanye West and Madonna; magazines such as Vogue Paris, Arena Homme+ or Interview; art projects and exhibitions at the Centre Pompidou, Tate Modern and Guggenheim Museum. Interviews with some of their closest collaborators - such as Bjork, Nicolas Ghesquiere, Pierre Huyghe, Inez van Lamsweerde & Vinoodh Matadin, Sarah Morris or Glenn O'Brien, as well as Amzalag and Augustyniak themselves, tell M/M's story. These texts reveal their areas of interest, define their position both within graphic design and beyond and shed new light on the duo's creative process. Internationally renowned art curator Hans Ulrich Obrist contributes a preface, while contemporary artist Philippe Parreno offers an essay about their joint projects. These multiple conversations and recollections of shared experiences paint an overview of the evolution of the creative world since the early 90s. This ambitious monograph is a rare document and unparalleled insight into the work and minds of Europe's most thoughtful and influential image-makers.

——from Amazon.com

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Emily king is a graphic design historian and curator who has written widely on design-related subjects. She lives in London.

Interviews with some of their closest collaborators — such as Björk, Nicolas Ghesquière, Pierre Huyghe, Inez van Lamsweerde & Vinoodh Matadin, Sarah Morris or Glenn O’Brien, as well as Amzalag and Augustyniak themselves, tell M/M’s story. These texts reveal their areas of interest, define their position both within graphic design and beyond and shed new light on the duo’s creative process. Internationally renowned art curator Hans Ulrich Obrist contributes a preface, while contemporary artist Philippe Parreno offers an essay about their joint projects.

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书籍介绍

A 528-page monograph presenting for the first time twenty years of works by M/M (Paris), one of the most emblematic and influential design practices and art partnerships of the twenty-first century. Michael Amzalag and Mathias Augustyniak originally established M/M (Paris) as a graphic design studio in 1992. Their close associations with the music, fashion and art worldshave led to their becoming one of the most distinctive and acclaimed creative voices of their generation, within graphic design and beyond. Published to mark their twentieth anniversary, this is the definitive monograph. It records hundreds of their mind-blowing projects, each represented in illustrations and photographs and arranged alphabetically from 'M' to 'M'. While print, drawing, photography and an unconventional approach to typography lie at the heart of M/M's work, they have also produced films, objects or interiors. 'Our work is about expressing the idea of a dialogue. We transfer elements from fashion to music to art and back again, and keep using different mediums,' they explain. Each work they produce is unique, but certain elements recur and reverberate - leitmotifs that draw their output, despite its range, into a unified whole. The monograph features collaborations with the finest from a spectrum of creative worlds, including fashion works with the likes of Balenciaga, Calvin Klein, Stella McCartney, Marc Jacobs and Yohji Yamamoto; music works with Benjamin Biolay, Bjork, Kanye West and Madonna; magazines such as Vogue Paris, Arena Homme+ or Interview; art projects and exhibitions at the Centre Pompidou, Tate Modern and Guggenheim Museum. Interviews with some of their closest collaborators - such as Bjork, Nicolas Ghesquiere, Pierre Huyghe, Inez van Lamsweerde & Vinoodh Matadin, Sarah Morris or Glenn O'Brien, as well as Amzalag and Augustyniak themselves, tell M/M's story. These texts reveal their areas of interest, define their position both within graphic design and beyond and shed new light on the duo's creative process. Internationally renowned art curator Hans Ulrich Obrist contributes a preface, while contemporary artist Philippe Parreno offers an essay about their joint projects. These multiple conversations and recollections of shared experiences paint an overview of the evolution of the creative world since the early 90s. This ambitious monograph is a rare document and unparalleled insight into the work and minds of Europe's most thoughtful and influential image-makers.

——from Amazon.com

• 作者：yuzou 发布时间：2019-06-27 19:24:46

  就和同时代法国电音的“French Touch”一样花，街头、戏谑与严肃的结合。

• 作者： 发布时间：2013-08-16 20:01:59

  原本一直以为光头michael是直男，卷发mathias是gay的...

• 作者：16 : 9 发布时间：2014-05-09 14:55:46

  在一堆80年代logo书里意外发现 感动到哭

• 作者：柏拉图下港口 发布时间：2022-03-14 18:26:42

  任何一个“有机”的组织，既然无法避免“寡头统治铁律”，那么像列宁这样，用公开的语言将其表达出来，并围绕政党中的精英建立一整套人员筛选机制，把不同的人控制在不同层级和位置，以尽可能地确保占统治地位的寡头的一致性与稳定性，似乎是明智的，毕竟“我们”和“自己人”是有区别的。即使很多时候两者在名义上属于同一个组织，这种内部清晰的划分也是一种潜规则。

• 作者：Same 发布时间：2013-06-29 03:15:42

  巴黎著名平面组合M/M (Paris)的二十年大合辑《M to M of M/M (Paris)》收集他两多年来的平面设计、音乐设计、品牌形象、产品设计、出版物版式、字体设计、空间装置作品！很难再看到时尚界会如此接受的视觉结合手绘图画／字体的趣味手法了吧。可在伦敦杂志《Man about Town》看到他们版式设计新作。

• 作者：运茶船 发布时间：2021-03-11 14:31:00

  Volume2

• 杜甫的征程

  作者：格野 发布时间：2023-07-26 11:49:53

  诗圣杜甫，相信很多人都能随口背出他的几首诗，让我印象最深的就是《茅屋为秋风所破歌》中的“安得广厦千万间，大庇天下寒士俱欢颜”，体现出当时社会的苦难、时代的苦难。从中能看出杜甫这种炽热的忧国忧民的情感和迫切要求变革黑暗现实的崇高理想，激励着我们。

  本书是小说家马鸣谦计划中的“诗人传三部曲“的第一部，还有两本是李商隐题材的《少年李的烦恼》和白居易题材的《池上》。作者借用马勒的作曲法来布局本书的篇章，不同的是本书只有一个主人公杜甫。

  目前关于杜甫的传记以及其诗的研究，已经出版了很多的相关著作，所以作者就打算另辟蹊径，通过小说的形式来表现杜甫，但又不完全是按线性时间来讲述，而是主要选择了杜甫在峡中的三年和在夔州的两年这段时间，通过对这段时期的讲述，让我们对杜甫其人生经历、创作生涯以及其精神世界都有了更深的体会。

  那么，作者为什么会选择杜甫在峡中的三年，尤其是在夔州的两年生活来叙述呢？主要是因为作者通过各种渠道收集、阅读、研究杜甫的相关著作和诗之后，发现这段时期在杜甫的人生经历中有着承前启后的作用。向前可以追述他在青春时代、旅食长安的十年和蜀中岁月的片段，向后也带出他出峡后的尾声，而夔州时段是小说叙事上最佳的黄金分割点，也是本书最重要的篇章。 可见作者在写这篇小说时的通篇考虑，即是对诗圣杜甫的致敬，也是对我们读者的负责，是一本很不错的小说。

  在书的开头，作者就首先向我们列出了人物一览表，方便我们在阅读的过程中不至于有什么障碍，在一定程度上也从侧面反映了杜甫在人生道路所遇见的形形色色的人，这些人对杜甫也起着很大的影响。作者在书中对于这些人物的刻画也十分生动形象。

  在小说中我们也能发现杜甫并不是一个生活于理想世界的人，只知写诗感叹生活的不公，命运的坎坷，他也十分注重生活实际，毕竟他也是一家之主，要维持一大家人的生活。他旅居夔州和出峡的费用不仅有他自己的俸禄，还来源于他高官朋友的援助，也有他卖一些草药和蔬菜等的收入。可知他是一个生活在真正现实社会的人，体会到现实社会的疾苦，才创作出这么多富有社会现实的诗篇，流传后世，为人歌颂！

  非常喜欢南宋陆游对杜甫的评价：“文章垂世自一事，忠义凛凛令人思。”他虽然逝去已千年之久，但他的诗、他的精神、他的壮志都影响着后世，被后世所敬仰！

  

  

  

• 这是一本会让你撕心裂肺去哭的书

  作者：父亲 发布时间：2013-06-04 13:32:15

  什么是最重要的东西？

  钱还是生命，名利地位生不带来死不带去，很多人都想要。

  每个人都在去争自己没有的东西，认为那样，才是幸福。

  而这本书，说的却是失去之后的故事。

  里面有很多人，很多家庭，但是每一个家庭都有着相同的悲剧。

  孩子。

  这个世界，很残忍也很美好。

  美好在于只要你想，你可以愉悦的过每一天。

  残忍却是，你永远不知道你何时会失去。

  上一秒还抱在怀里的天使，下一秒却成为你心口的伤痛。

  他们行走在路上，寻觅着

  里面有一个女人贩子，她为了钱贩卖别人的孩子

  却不知道已经将自己的孩子送上了绝路。

  人和人之间的纽带，到底在于什么

  血缘，还是感情。

  那些被拐卖的孩子，以后要怎么填补自己心里的伤痛。

  没有失去过的人，谁能明白这种感觉。

  那种看着你的世界完全崩塌，彻底毁灭。

  撕心裂肺的感觉。

  我并不擅长写评论或写感想那种，因为我无法表达这种感情。

  这感情实在是太复杂，太揪心了。

  只要触及一点点，就会彻底崩溃。

  这本书卖的其实并不好，我甚至没看见过有网站推荐过这本书。

  但是这本书必须有他存在的意义。

  这世界的阴暗面，只有直面了，才知道如何站直了。