全新正版图书 学生实用英汉双解词典说词解字辞书研究中心　华语教学出版社9787513803076蔚蓝书店 下载 pdf 电子版 epub 免费 txt 2025

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《学生实用英汉双解词典(缩印本)》收词10000余条，涵盖大、中学教材中全部常见词汇，连同词条内的派生词、复合词及短语，实收词汇25000余条，词条编排充分吸收英语教学最新成果。英汉双解，英文解释浅显易懂，中文释义简明准确。

• 作者：蛋包饭occult 发布时间：2023-09-26 17:39:31

  有几张真的特别喜欢特别戳我

• 作者：王小麦 发布时间：2021-08-16 09:17:11

  比《烧纸》写得更好。他写那些执拗地活在云端的人，写看上去会像善人的恶人，写那些对生活本质或笃定或怀疑的人。他不歌颂，也不批判，因为他深知人的复杂和单纯、人的伪善和伪理想，以及人的无力和残忍。喜欢这样的小说，喜欢这样的小说家~

• 作者：fzy888 发布时间：2012-03-25 17:52:33

  本科生 申请美国本科学校，案例为主，简单点评，简单附录

• 作者：青鸟艺姐 发布时间：2024-01-03 08:36:03

  可以

• 作者：林小林 发布时间：2016-10-06 20:19:26

  内容泛泛而谈。一本画册而已。广告就广告，别这么大言不惭的说是驾驶圣经。内容被人民交通出版社的 「安全驾驶从这里开始」碾压在地 。开头 BMW 高级培训师董威君写的序言里吹捧 「这本驾驶圣经能够让人读懂车」，读懂你妹。回到书的装帧，我还是很喜欢的，纸张不错，设计不错，然而内容是垃圾，好在免费，仅此而已的一本书，不值得再次翻阅。简直侮辱圣经二字。

• 作者：Pikapika 发布时间：2023-05-23 00:40:45

  基本没用

• Kitsch的“走出來，活下去！”

  作者：wavyfly 发布时间：2018-11-24 19:11:50

  #

  書

  # 2015《AfterYou》5+1=6/10

  關於kitsch的定義，這裡取主要是“媚俗”和“矯揉做作”。

  對於所有暢銷書或電影的續集，我都有天生的警惕厭惡感和控制不住的好奇心：太多狗尾續貂的例子，非要把想象的白紗扭成擦桌布，讓人懷疑為什麼對第一本的喜好是不是腦子進水。但是只要知道有續集存在，心癢癢的感覺太難受了。讀完喲喲阿姨的《AfterYou》，不至於棄書怒罵，但是這種家庭主婦YY消遣小說，真是浪費生命。不是因為《MeBeforeYou》的光環，加上很多小聰明的情節設計和小亮點的文筆，真不想給它過合格線的6分。

  小說的確需要靠巧合來刺激讀者乏味的生活，但是這本為寫而寫的情節安排，連瓊瑤都要甘拜下風。一群未亡人，需要一個天上掉下來的人去打開心結，這TMD不是神跡是什麼！一環扣一環的情節推進，靠的都是讓人咋舌的“上天安排”，這是要讓讀者們都去信教，祈禱老天爺開眼去指導我們人生道路嗎？

  ++++

  先說人物設定，通過Will有個未知女兒Lily來解決大家“放下和繼續”這個核心問題，作者到底是有多江郎才盡？從Lily出場，一點點揭開身世，狗血的無fk可說。但這種事情現實的確存在，勉強接受作者的設定，可整本書就已經淪為廚房讀物一級。

  And when she spoke, her eyes were both fierce and searching. ‘His name is Will Traynor.’

  There was some documentary on television about assisted suicide and they mentioned his name and Mum totally freaked out for no reason and ran to the bathroom and Fuckface went after her so obviously I listened outside. And she was in total shock because she hadn’t even known that he’d ended up in a wheelchair. I heard the whole thing. I mean, it’s not like I didn’t know Fuckface wasn’t my real dad. It’s just that my mum only ever said my real dad was an asshole who didn’t want to know me.’

  ‘So, basically, one day Martin was my dad – I mean, I called him Daddy right up until the day he left – and the next he wasn’t. He used to take me to nursery and primary school and everything – and then she decides she’s had enough of him, and I get home and he’s just … gone. It’s her house, so he’s gone. Just like that. And I’m not allowed to see him and I’m not even allowed to talk about him because I’m just dredging things up and being difficult. And obviously she is in so much pain and emotional distress.’

  And when you turn up at someone’s house and they have a baby and, like, a proper family of their own, you realize you’re not part of his family any more. You’re a leftover.’

  ‘You can tell, you know, when someone’s just putting up with you. Even if you’re little. He never wanted me, only my mother. I can sort of understand it – who wants another man’s kid hanging around? So when she had the twins they sent me away to boarding-school. Bang. Job done.’

  而Lily母親的刻板化設定，把整本書直接沖到馬桶讀物級別，讓人不得不懷疑作者人生閱歷的狹窄和想象力的乾涸。缺乏人性的丑角，是無法做好綠葉，喲喲阿姨寫出那麼多暢銷書，沒道理不明白這點，只能理解類似咪蒙迎合目標人群口味，為錢寫作。

  The woman stiffened with rage. She was thin, the kind of thin that comes with faddy diets or compulsive exercise; her hair was expensively cut and coloured so that it looked neither, and she was wearing what I assumed were designer jeans. But her face, tanned as it was, betrayed her: she looked exhausted.

  So I decided to go ahead and have Lily. But –’ here she lifted her chin again, as if braced to defend herself – ‘there was no point in telling him. Not after everything he’d said and done.’ My coffee had gone cold. ‘No point in telling him?’ ‘He’d as good as said he didn’t want anything to do with me. He would have acted as if I’d done it deliberately, to trap him or something.’

  ‘Will didn’t deserve to know her.’ The words settled in the air between us. ‘He was an arsehole. Okay? Will Traynor was a selfish arsehole.’ She pushed a strand of hair back from her face. ‘Obviously I didn’t know what had happened to him. That came as a complete shock. But I can’t honestly say it would have made a difference.’

  男主角救護員Sam的英雄救美出場，認識不久就帶女主去他夢想之地，被拒絕但窮追不捨，到最後貧民區里槍擊案的高潮，特別是解救Lily那場鬧劇，這都什麼鬼啊！女主到底是天仙下凡，還是會下蠱，憑什麼啊？就憑同是天涯淪落人？瓊瑤都不敢這樣寫啊（嗯，好像她還真的有類似情節）。邊讀邊覺得智商受侮辱，但“讀都讀了”這四個魔咒一直在洗腦，還是皺著眉頭快速翻書。

  Sam began to walk down the field. ‘There. That’s the foundations. Took me the best part of three months to get those down.’ ‘You live here?’ ‘Yup.’ I stared at the concrete slabs. When I looked at him, something in his expression made me bite back what I was going to say.

  ‘I get the feeling, Louisa Clark, that when you’re talking to me there’s a whole other conversation going on somewhere else.’

  I was going to step forward and hold him then, to put my arms around him, rest my face against his. But something held me back: a sudden, unbidden image of Will, turning his face away from me, unreachable in his unhappiness. I faltered, then a second too late, reached out a hand instead and touched Sam’s arm. He glanced down at it, frowning slightly, and I had the slightly discomfiting sensation that he knew something of what had just passed through my head.

  ‘Last night. When I was bleeding out. I heard you.’ Our eyes locked. And in that moment everything shifted. I saw what I had really done. I saw that I could be somebody’s centre, their reason for staying. I saw that I could be enough.

  We locked eyes, and he lifted a hand, his palm open, and I lifted mine slowly in return. I fixed that image of him in my imagination – the way he tilted forward, the light on his hair, the steady way he always looked at me – somewhere where I could draw it up on lonely days. Because there would be lonely days. And bad days. And days when I wondered what the hell I had just agreed to be part of. Because that was all part of the adventure too.

  ++++

  人物設定的套路化是喲喲阿姨的弱點，那麼讓《MeBeforeYou》成為佳作的“立意”呢？

  很可惜，在這本續集里，死亡的重量如此之輕浮和矯情，無法作為天平另外一段的穩定秤砣。喲喲阿姨也認識到這一點，所以不斷加碼青春、女權——壓箱石沒有一塊是大而有力，一堆鵝卵石甚至細沙無序地堆積起來，野心太大能力不足，甚至可以說是極端kitsch了。

  Lily代表的愚蠢、衝動、脆弱的青春，作者把它放在死亡懸崖邊上的想法老瓶老酒，沒有衝擊點，所謂的掙扎在刻意的情節下比雞湯都無營養，過目即忘。

  She fidgeted constantly, smoked endless cigarettes, then sat in a silence so loaded I could almost feel the weight of her thoughts.

  Teenagers are basically toddlers with hormones – old enough to want to do stuff without having any of the common sense.

  The young are terrifying, I thought. They are without boundaries. They fear nothing.

  ‘These youngsters should be feeling great about life, but instead they’re just knocking themselves out with every spare pound they earn. Every bloody week.’

  Too many people follow their own happiness without a thought for the damage they leave in their wake. You wouldn’t believe the kids I pick up at the weekends, drunk, drugged, off their heads, whatever. The parents are wrapped up in their own stuff, or have disappeared completely, so they exist in a vacuum, and they make bad choices.

  而女主母親關於女權的覺醒，我個人是覺得畫蛇添足，分散焦點，特別是一整個的描述和推進輕如鴻毛，套路得讓人尷尬，從寫出來覺醒的那一刻就已經知道後面的大團圓結局。想四兩撥千斤？最多只能讓家庭主婦讀者YY一番，不如不寫。

  ‘You know your sister has been reading The Female Eunuch? And some old shite called The Women’s Bedroom or something. She says your mother is a classic example of oppressed womanhood, and that the fact your mother disagrees shows how oppressed she is. She’s trying to tell her I should be doing the cooking and cleaning and making out I’m some fecking caveman.

  We sat there for a good part of the afternoon, avoiding Dad’s increasingly cross texts demanding to know what we were doing. I had never sat with my mother and sister, like normal people, grown-ups, having conversations that didn’t involve putting anything away or somebody being so annoying. We found ourselves surprisingly interested in each other’s lives and opinions, as if we had suddenly realized each of us might have roles beyond the brainy one, the chaotic one, and the one who does all the housework. It was an odd sensation, having to view my family as human beings.

  I swallowed. ‘Mum, you’re not going to get divorced, are you?’ Her eyes shot open. ‘Divorced? I’m a good Catholic girl, Louisa. We don’t divorce. We just make our men suffer for all eternity!’

  He finally turned to face me. ‘What if she decides that I’m the one with no life? What if all this new stuff turns her head and …’ He gulped. ‘What if she leaves me behind?’

  ‘Oh, love, I’ve missed the bones of you.’ My mother put her arms around my father’s neck and kissed him. The relief on his face was almost palpable. He buried his head in her shoulder and then he kissed her again, her ear, her hair, holding her hands, like a small boy.

  ++++

  批判那麼多，真的沒有值得稱讚的了嗎？嗯，落入俗套，但還是可以拿出來曬曬的，也就是“lifemustgoon生活還要繼續”這個點了。

  Will母親從崩潰、自我放逐到收集碎片重新站起來那段，值得單獨記錄一下：這才是真正可以鼓舞人心的榜樣！這不是女權，這是人的脆弱和堅強！

  There followed a painfully laboured half-hour of conversation. Mrs Traynor, a woman infused with the instinctive upper-middle-class skill of being all over any social situation, had apparently lost the ability to communicate. She seemed only half with us when I spoke. She asked a question, then asked it again ten minutes later, as if she had failed to register the answer. I wondered about the use of anti-depressants.

  Mrs Traynor appeared to be swallowed by it. There was almost nothing left of the brisk, proud woman I had known.

  the cottage was brutally impersonal. I thought of my own flat, my utter failure to personalize it or allow myself to turn it into any kind of a home. And I felt suddenly leaden, and desperately sad. What have you done to us all, Will?

  ‘Lily, I lost my son – your father – and in truth I probably lost him some time before he died. His death took away everything my life was built on: my role as a mother, my family, my career, even my faith. I have felt, frankly, as if I descended into a dark hole. But to discover that he had a daughter – that I have a granddaughter – has made me think all might not be lost.’ She swallowed. ‘I’m not going to say that you’ve returned part of him to me, because that wouldn’t be fair on you. You are, as I’ve already grasped, very much your own person. You’ve brought me a whole new person to care about. I hope you’ll give me a second chance, Lily. Because I would very much like – no, dammit – I would love for us to spend time together.

  ‘I’m so very glad to know you. You’ve changed everything so much simply by existing.

  ‘I know we can never make up for your father not being here, and I know I’m not – well, I’m still climbing out of things rather – but … do you think … perhaps …. you could find some room for a rather difficult grandmother?’

  雖然未亡人互助會的確老套，但是藉助不同人的角色和口吻描述各種各樣失去至親的悲痛和有退有進的放下，也告訴讀者我們總是能夠走得出來的。喲喲阿姨的心理描寫，把握度精準，人為痕跡雖然強，但不會尷尬，可惜這一切都建立在狗血情節上，大大削弱了療傷的效應。

  ‘You didn’t give me a bloody life, did you? Not really. You just smashed up my old one. Smashed it into little pieces. What am I meant to do with what’s left? When is it going to feel –’ I stretch out my arms, feeling the cool night air against my skin, and realize I am crying again. ‘Fuck you, Will,’ I whisper. ‘Fuck you for leaving me.’

  And when it came down to it, what was the point in re-examining your sadness all the time anyway? It was like picking at a wound and refusing to let it heal. I knew what I had been part of. I knew what my role was. What was the point in going over and over it?

  ‘But that’s just a fairy tale ending, isn’t it? Man dies, everyone learns something, moves on, creates something wonderful out of his death.’ I was speaking without thinking now. ‘I’ve done none of those things. I’ve basically just failed at all of it.’

  You learn to live with it, with them. Because they do stay with you, even if they’re not living, breathing people any more. It’s not the same crushing grief you felt at first, the kind that swamps you, and makes you want to cry in the wrong places, and get irrationally angry with all the idiots who are still alive when the person you love is dead. It’s just something you learn to accommodate. Like adapting around a hole. I don’t know. It’s like you become … a doughnut instead of a bun.’ There was such sadness in his face that I felt suddenly guilty.

  for the first time, I was recalling Will without sadness.

  Sometimes I felt as if we were all wading around in grief, reluctant to admit to others how far we were waving or drowning. I wondered fleetingly whether Sam’s reluctance to talk about his wife mirrored my own, the knowledge that the moment you opened the box, let out even a whisper of your sadness, it would mushroom into a cloud that overwhelmed all other conversation.

  ‘And you managed to not think about Bill too much?’ ‘Not enough to stop me … I just felt I wanted to do something that …’ I shrugged ‘… I just wanted to feel alive.’ There was a murmur of agreement at that word. It was what we all wanted, ultimately, to be freed from our grief. To be released from this underworld of the dead, half our hearts lost underground, or trapped in little porcelain urns.

  Some days, he said, it felt like a virus: you had to scrub the melancholy from your skin along with the scent of antiseptic.

  ‘I feel like I’ve turned myself off for the past two years. Like I wouldn’t let anyone get close to me because of what happened. I mean, what’s the point of getting close to someone if you’re only going to lose them? But the other day I started thinking about what I actually want out of life and I realized it was someone to love. Because you got to move on, right? You got to see some kind of future.’

  It is important not to turn the dead into saints. Nobody can walk in the shadow of a saint.

  nobody was truly free. Perhaps all freedom – physical, personal – only came at the cost of somebody or something else.

  ‘I think people get bored of grief,’ said Natasha. ‘It’s like you’re allowed some unspoken allotted time – six months, maybe – and then they get faintly irritated that you’re not “better”. It’s like you’re being self-indulgent hanging on to your unhappiness.’

  That’s life. We don’t know what will happen. Which is why we have to take our chances while we can.

  none of us moves on without a backward look. We move on always carrying with us those we have lost. What we aim to do in our little group is ensure that carrying them is not a burden that feels impossible to bear, a weight keeping us stuck in the same place. We want their presence to feel like a gift. ‘And what we learn through sharing our memories and our sadnesses and our little victories with each other is that it’s okay to feel sad. Or lost. Or angry. It’s okay to feel a whole host of things that other people might not understand, and often for a long time. Everyone has his or her own journey. We don’t judge.

  既然整本書是如此的刻意，那我也就很kitsch地引用Will書中話收尾。

  You’re going to feel uncomfortable in your new world for a bit. It always does feel strange to be knocked out of your comfort zone … There is a hunger in you, Clark. A fearlessness. You just buried it, like most people do. Just live well. Just live.

  生活總是要繼續的，但是請記住，天上不會掉下個人來解決你的問題，還是要靠自己，走出來，活下去！

• 想让笔下人物更吸引人？快看这本工具书

  作者：小七 发布时间：2023-12-11 19:50:28

  想写一个好故事，离不开多面复杂、个性强烈、有人格魅力的人物，毕竟只有人物站得住，情节才能串得起。那怎样才能塑造一个丰满立体、能吸引人的人物形象呢？要解决这个问题，我们来看一本短平快风格的人物塑造工具书吧。

  这本书的书名很长——《人物设定创意宝库：积极特质词汇速查，塑造值得支持的人物》，但其内容却很简洁直观。

  

  开篇部分很精炼，有些像心理学教科书和写作类指南的浓缩版，讲的是如何通过设计性格特质，为人物注入鲜活的生命力。这本书中讲的是能让人成长的、能帮助人物通过健康手段实现目标的性格特质，也就是积极的性格特质。

  第二部分是书的主要部分，介绍的是99个代表积极特质的词条，每一条都详细解析了其定义、成因、行为、态度、思考模式等，称得上是99堂人物塑造的快速通关课。从中自助选取适用特质及表现形式，再合理调配细节，一个充满个性的人物形象就会脱颖而出。

  

  第三部分是附录的实用工具，有人物侧写问卷、人物属性靶位图及99个积极特质词条的分类等，拿来即用，很是便捷。

  感觉把这本书就是一本名副其实的写作工具书，因为读完开篇的23页，后边的内容就全部是设计人物时可以查阅的工具了。当你思考人物形象时，这些工具可以帮你更便捷地做出选择，看哪种性格特质能更好地帮助人物实现目标。

  

  比如你想让笔下的人物“充满魅力”，就可以查阅“充满魅力的”这一词条，这里有这一特质的5个成因、31种行为、5种想法、6种情绪以及其可能产生的积极影响与消极影响，还有电影中的典型案例。根据这些线索，你就可以多角度设计人物形象和故事情节了。

  所以说，这个创意词库，就是一套塑造人物性格的工具档案，它可以帮助写作者点亮灵感，也可以让故事更有深度。不管是作家、编剧，还是游戏设计、文案策划……只要在做与人物设计相关的工作，这样的工具书便可以让你事半功倍。

  

  在书中还发现一处惊喜，那就是这本书还有一个姊妹篇——一本专门介绍代表消极特质词汇的速查工具，很期待两本书的合体！