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Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect and a singular use of cropping, close-up and sequencing--perfect devices with which to undertake his investigation of the pathological, the banal and the conspiratorial. Published in conjunction with the artist's first full-scale American survey, this is without question the authoritative publication on Tuymans. It features approximately 75 key works from 1978 to the present, and is accompanied by essays analyzing the painter's main concerns, with particular attention paid to his working process and his adaptation of source materials. Helen Molesworth examines themes of sinister banality, Joseph Leo Koerner writes on iconophobia and iconophilia, Ralph Rugoff considers the nature of visual experience in light of Tuymans' recent work, and Bill Horrigan examines cinematic sources. This book is not only the most comprehensive survey of Tuymans' career to date, but also the most thorough chronology of his artistic development.

Born in Mortsel, Belgium, in 1958, Luc Tuymans first exhibited his paintings in 1985, at Palais des Thermes in Ostend. His first U.S. exhibition came ten years later, at The Renaissance Society in Chicago. He has also worked in film and printmaking.

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Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect and a singular use of cropping, close-up and sequencing--perfect devices with which to undertake his investigation of the pathological, the banal and the conspiratorial. Published in conjunction with the artist's first full-scale American survey, this is without question the authoritative publication on Tuymans. It features approximately 75 key works from 1978 to the present, and is accompanied by essays analyzing the painter's main concerns, with particular attention paid to his working process and his adaptation of source materials. Helen Molesworth examines themes of sinister banality, Joseph Leo Koerner writes on iconophobia and iconophilia, Ralph Rugoff considers the nature of visual experience in light of Tuymans' recent work, and Bill Horrigan examines cinematic sources. This book is not only the most comprehensive survey of Tuymans' career to date, but also the most thorough chronology of his artistic development.

Born in Mortsel, Belgium, in 1958, Luc Tuymans first exhibited his paintings in 1985, at Palais des Thermes in Ostend. His first U.S. exhibition came ten years later, at The Renaissance Society in Chicago. He has also worked in film and printmaking.

• 作者：YoyoRan 发布时间：2011-01-05 05:00:49

  看了个展 喜欢他淡灰色的调子 还有淡粉色 他创作的方式有的照着照片画

• 作者：一又 发布时间：2008-02-05 23:54:44

  宛如 梅兰竹菊 之 氤氲 意境。

• 作者：北城 发布时间：2019-12-21 17:39:38

  写的不错，各种例题，讲解也很不错。形式逻辑部分的方法很好

• 作者：似火年华 发布时间：2023-02-10 03:33:39

  原来是那么的野蛮荒诞

• 作者：索菲斯 发布时间：2024-04-03 11:42:22

  这就是一本很简单的国际象棋基础知识介绍 给儿童看也许勉强可以

• 作者：叶减阑 发布时间：2008-11-03 18:37:55

  其实学自然科学的时候，了解一下它的历史还是很好的。

• 仅仅所有权就能解决贫困问题吗

  作者：peterq 发布时间：2009-01-26 11:20:51

  这本书得到了一个令人振奋的结论，发展中国家的贫穷在于所有权法律不完善，穷人们的财产没有法律认可和保护，只要能从法律上认可穷人们的所有权和交易进行保护，穷人就能积极工作走上富裕道路。因为所有权有六种效应：确定资产的经济潜能，将分散的信息纳入一种制度，建立责任和信用体系，使资产具有可交换性，建立人际关系网络，保护交易。

  但是，利益集团和政府会牺牲自己利益来制定这样的法律和保护看起来单纯愚昧的穷人吗？汪汪叫的狗会管用吗？下面的故事就说明了所有权的现状：

  因为怕猫，有一窝老鼠饿得快要咽气了也不敢出去找食吃。后来，其中一只老鼠说，如果在猫的脖子上挂上一个铃铛，家族成员就可以凭铃铛的声音来猜测猫的位置，避猫找食自然不成问题。众老鼠于是欢呼雀跃、精神大振，正在这时，另一只老鼠出来发话了：“可是，谁来给猫脖上挂铃铛呢？”

  比如政府10万元圈一亩地，150万土地出让，净赚10多倍，会把好处分给农民和居民吗（春运就是个硬指标）？看看漂亮的政府大楼和机关大楼，二三线城市还有漂亮的公务员小区，潇洒的出国旅行团就知道钱的用途了。

  把所有权深入分析一下，就知道所有权不是人人那么容易得到的；另外所有权的基础应该是大众的选举权，居民可以选出立法人和政府长官，这样才能保证法律是有利于有选举权的居民，即打破利益集团对法律的垄断。

  No Pain, No Gain.

  http://comm.dangdang.com/member/5092681341813/reviewdetail/1851766/

• 内容不错，好多老照片

  作者：大杯冰美式 发布时间：2016-07-15 09:26:42

          很厚实的一本书，内容很充实。蔡老年轻的时候真帅呀，跟夏梦站在一起合影的照片，超赞！<图片1>