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• 作者：槿. 发布时间：2024-01-04 12:38:58

  第一本比较客观 不过这本主旨是认同只有一个力量

• 作者：那拉因 发布时间：2012-07-15 12:28:58

  神一般的男人

• 作者：E 发布时间：2021-12-08 00:53:37

  虽然理论不错，但是也太重复了。

• 作者：胖哆 发布时间：2018-04-23 18:07:52

  故事水平比前两本高，有意思了不少，蜘蛛侠即将登场

• 作者：ghost 发布时间：2012-08-17 16:06:33

  除了乌姆没啥遗憾了

• 作者：Bill 发布时间：2024-02-02 20:45:50

  3岁儿童绘本

• 如何重述观看之物

  作者：周公度 发布时间：2022-02-14 17:38:25

  如何重述观看之物

  周公度

  危险的是：你无法完整回忆

  真实的瞬间。而我记得全部的细节——

  四颗无花果上的光影

  随窗外的日光呈弧形变化；

  玻璃质地的圆形凸点凹底托盘，

  桌布一角的茶渍，

  一册中古时期的欧洲风俗札记。

  但这些均不重要：所有的存在之物

  都应该围绕在一种不存在之上。她记得的是——

  草地上的一洼浊水，

  画中女主裙摆下的泥点；

  由远及近，

  回到她眼睛中的安静，

  那是晨曦之际的海面。

  2022.2.14

• Shakespeare Sonnet 18

  作者：久美子 发布时间：2009-08-30 10:30:31

  Shakespeare sonnet 18 begins the thematic group in which the speaker/poet muses on his writing talent, often addressing his Muse, his ability, and even his poems.

  First Quatrain – “Shall I compare thee to a summer’s day”

  In the first quatrain, the speaker muses about comparing the poem to a day in summer; then he begins to do just that. In comparison to a summer’s day, the poem is deemed “more lovely and more temperate.” The qualification of more “lovely,” at this point, seems to be just the speaker’s opinion, but to prove the poem more temperate, he explains, “Rough winds do shake the darling buds of May”: the “rough winds” that blow the young buds of flowers about is certainly not mild or temperate. And also summer just does not last very long; it has “all too short a date.”

  The poem, when compared to a summer’s day, is better; its beauty and mildness do not end as summer along with its “summer’s day” does. The reader wonder why the speaker, just after claiming his intention of comparing the poem to a “summer’s day,” then first compares it to a spring day—“the darling buds of May.”

  Even before summer begins, the May flowers are being tossed about by intemperate breezes; therefore, it stands to reason that if the prelude to summer has its difficulties, one can expect summer have its own unique problems that the poem, of course, will lack.

  Second Quatrain – “Sometime too hot the eye of heaven shines”

  In the second quatrain, the speaker continues elucidating his complaints that diminish summer’s value in this comparison: sometimes the sunshine makes the temperature too hot: “Sometime too hot the eye of heaven shines.” The sun often hides behind clouds, “often is his gold complexion dimm’d.” The reader can realize the implications here: that these inconvenient qualities do no plague the poem.

  Then the speaker makes a generalization that everything in nature including the seasons—and he has chosen the best season, after all; he did not advantage his argument by comparing the poem to a winter day—and even people degenerates with time, either by happenstance or by processes the human mind does not comprehend or simply by the unstoppable course of nature: "And every fair from fair sometime declines, / By chance, or nature’s changing course untrimm’d.”

  So far, the speaker has mused that he shall compare the poem to a summer day, and the summer day is losing: even before summer begins, the winds of May are often brutal to the young flowers; summer never lasts long; sometimes the sun is too hot and sometimes it hides behind clouds, and besides everything—even the good things—in nature diminishes in time.

  Third Quatrain – “But thy eternal summer shall not fade”

  In the third quatrain, the speaker declares the advantages that the poem has over the summer day: that unlike the summer day, the poem shall remain eternally; its summer will not end as the natural summer day must. Nor will the poem lose its beauty, and even death cannot claim the poem, because it will exist “in eternal lines” that the poet will continue to write, “When in eternal lines to time thou grow’st.”

  The Couplet – “This gives life to thee”

  The couplet—“So long as men can breathe, or eyes can see, / So long lives this, and this gives life to thee”— claims that as long as someone is alive to read it, the poem will have life.

  Read more:

  http://poetry.suite101.com/article.cfm/shakespeare_sonnet_18#ixzz0Pd5vEQeg